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Digital Rights Management: Strategies for Rich Media Content
Juniper Research, April 2005, Pages: 101
Digital content delivery, content protection, intellectual property rights and distribution management, and a secure, attractive transaction mechanism are the main challenges in today's digital market.
The music industry has been the highest-profile talking point of the digital debate, partly because the visible parts of the business model select, pay for, and download three or four-minute pop songs appear to be so simple. Along with SMS (Short Message Service) , MMS (Multimedia Messaging Service) and email, it is the proverbial killer application, but it is one that has shaken an industry to its core. Not only do the Internet and other interconnected information networks provide unprecedented means to access and share content beyond geographical boundaries and time constraints, they also provide an unprecedented means to discuss it and to share information about what is going on.
This briefing document brings together the essential elements of the digital rights debate providing a balanced review and analysis for players operating in the sector.
About the Author
Chris Middleton is a widely respected journalist, author, and editor specializing in digital media, intellectual property, and technology. Formerly the editor of the UK's most successful business-to-business technology monthly, Computer Business Review, and formerly deputy editor of the UK's Computing newspaper, Chris has written for a number of national and international publications, including The Guardian newspaper, and the BBC's Tomorrow's World, together with dozens of business magazines. He is the author of the illustrated book The Complete Guide to Digital Audio (A Comprehensive Introduction to Digital Music-Making and Sound), published worldwide in 2004 to extremely positive reviews, and has edited, co-written, or contributed to over 20 books on the digital arts, published by companies such as Dorling Kindersley, Mitchell Beazley, Cassell Illustrated, Watson Guptill, and Amphoto Books. He lives and works in Brighton, UK, where he also writes and produces music for films and videos.
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