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The Art of Plastics Design 2005
Rapra Technology Ltd, Oct 2005
SESSION 1. THE CREATIVE DESIGN PROCESS
Paper 1: Creating value – KEYNOTE ADDRESS
Sebastian Conran, Conran & Partners, UK
Paper 2: Neurons that ?re together wire together
David Humphries, PDD Group Ltd, UK
Paper 3: What's in your wardrobe?
Mike Ellams, Razorbite, UK
SESSION 2. APPEAL TO THE SENSES
Paper 4: The impact of olfactive factors on plastic design or the sweet smell of success
Dr Olivier Noiset & Dr Catherine Henneuse, Certech, Belgium
Paper 5: Material texture perception in product design
Dr Hengfeng Zuo, Mark Jones & Tony Hope, Southampton Institute, UK
SESSION 3. PLASTICS IN DESIGN
Paper 6: Plastics design – the unlikely pioneer of product relationships
Nick Gant, University of Brighton & BoBo Design Ltd, UK
Paper 7: The branding of plastics - How important is the branding of a material and how far do plastics go in helping to de?ne brands
Chris Lefteri, Chris Lefteri Design, UK
Paper 8: The importance of material data for the designer
Dr Erwin Baur, M-Base Engineering & Software GmbH, Germany
SESSION 4. PRODUCT DESIGN
Paper 9: Medical devices – the design difference
Jarred Evans, The National Centre for Product Design & Development Research, Wales
Paper 10: Desirability in capital equipment - some experiences from a scienti?c instrument manufacturer
Evan Kitsell, Don Whitley Scientific Limited, UK
Paper 11: Shrink sleeves - the answer to recycling and valorisation of PET packaging
Jean-Charles Fresnel, Sleever International, France
Paper 12: Combining appearance and functionality to get the most out of product design
Peter Frank, Product Innovation Ltd, UK
SESSION 5. PLASTICS FOR EFFECT
Paper 13: Plastics, from plain, to beautiful and functional
Dr Francoise Pardos, Pardos Marketing, France
Paper 14: Out of the box: Discover special effects in colour and material
Ulf Nilsson, ExxonMobil Chemical, Belgium & Filip Roscam, Merck KgaA
Paper 15: Special effect pigments for plastics
Dr Mark Stoll, Eckart GmbH, Germany
SESSION 6. COLOUR, MATERIAL AND FINISH
Paper 16: Finish trends – getting the CMF (Colour, Material and Finish) right!
Tina Rippon, Finish Technologies Ltd, UK
Paper 17: In-mould ?lm lamination - surface ?nish technique offering visual, tactile and functional surface effects
Dr Martin Wielpuetz & Michael Beyer, Degussa AG, Germany
Paper 18: Silicone polymers, dispersions and elastomers to feel and enjoy the difference: physicochemical properties supporting new applications
Dr Stéphane Van Oycke, & Dr André Colas, Dow Corning SA, Belgium, & Isabelle Van Reeth, Dow Corning (Shanghai) Company Ltd, China
Paper 19: Colour design in plastics
David Horan, Clariant UK Ltd, UK
SESSION 7. THE DESIGN—MANUFACTURING INTERFACE
Paper 20: Rapid collaboration: a creative package design process
Bob Smith, Erie Plastics, USA
Paper 21: Taking the stress out of design by total simulation
Andi Clements, Rapra Technology Ltd, UK
Paper 22: Total modelling approach to design
Peter Dickin, Delcam, UK
Paper 23: Beauty—not just skin deep: practical steps to avoid appearance problems in plastics components
John McLoughlin, POLYnnovation, UK
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