4-1 Economic Implications 4-2 Political Considerations
5 - Key Organizations
5-1 SARFT 5-2 China Film Group Corporation
6 - Current Market Status
6-1 General Overview 6-2 Market Size and Trends
7 - Film Production
7-1 Overview 7-2 Market Share 7-3 Funding Sources 7-4 International Accomplishments 7-5 Current Regulations Guiding Foreign Investments 7-6 Made in China 7-7 Co-Production Advantage 7-8 Cultural Considerations 7-9 Film Content 7-10 Case in Point 7-11 China's Youth Market
8 - Film Distribution
8-1 Domestic Films 8-2 Foreign Imports
9 - Film Exhibition
9-1 Overview 9-2 Status of Screens 9-3 Current Regulations Guiding Foreign Investments 9-4 Price Points 9-5 The Digital Age
10 - Market Barriers
10-1 Piracy: Caulking up the Cracks 10-2 Protectionism 10-3 Censorship Woes 10-4 Film Quota 10-5 Blackout Periods
11 - Hong Kong: A Unique Intermediary
11-1 Implications of CEPA
12- Implications of WTO Entry
12-1 Expected Impact
13- South Korea: A Model Neighbor
14- Case Examples of Success
14-1 IMAX 14-2 Warner Brothers 14-3 Commentary
15 - Summary of Points
16 - Conclusion and Entry Strategies
List of Tables
T 2-1 Box Office Forecast 2006 - 2010
T 2-2 Box Office Forecast 2010 - 2050
T 4-1 China's Surging GDP
T 4-2 Annual per capita disposable income (urban vs. rural)
T 7-1 Box Office Revenue Trends
T 7-2 Gross Box Office Figures (China, Regional, World)
T 7-3 Domestic Films Produced in China 1990 - 2005
T 7-4 Local Film Production and Breakdown 1994 - 2004
T 7-5 Number of US Film Imports to China
T 7-6 Top Grossing Films, 2005
T 7-7 Funds Backing Domestic Films, 2005
T 7-8 Co-Production Trends
T 7-9 2005 Box Office of Top 10 Foreign Films
T 7-10 2005 Box Office of Top 10 Domestic Films
T 7-11 Demographic Figures of China's Youth
T 7-12 2002 Survey: 530 Respondents ages 4-17
T 8-1 2005 Top 10 Film Distributors
T 9-1 Population & Screens in 2003
T 9-2 Relationship of GDP, urban disposable income and box office
T 9-3 2005 Top 10 Theaters
T 10-1 Seizures of Audio-Visual Products
T 10-2 Blackout Periods
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