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Viewing report
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Professional Video Monitors
Insight Media Inc., Sep 2007, Pages: 58
1 Introduction
1.1. User Requirements
1.2. Specifications
1.2.1. Grade-1
1.2.2. Grade-2
1.2.3. Grade-3
1.2.4. Additional EBU Requirements
2 Technologies
2.1. Key Display Charactaristics
2.1.1. Resolution
2.1.2. Contrast, Luminance, Black Level and Dynamic Range
2.1.3. Gray scale accuracy, gamma correction and bit depth
2.1.4. Color Gamut
2.1.5. Temporal Properties
2.2. CRT
2.2.1. Performance, features and cost
2.2.2. Pros and cons
2.2.3. Maturity
2.3. LCD
2.3.1. Performance, features and cost
2.3.2. Pros and cons
2.3.3. Maturity
2.4. PDP
2.4.1. Performance, features and cost
2.4.2. Pros and cons
2.4.3. Maturity
2.5. SED
2.6. RPTV 2
2.6.1. Performance, features and cost
2.6.2. Pros and cons
2.6.3. Maturity
3 Representative Products
3.1. Grade-1 Monitors
3.1.1. Cine-tal Systems
3.1.2. eCinema Systems
3.1.3. Ikegami Electronics (U.S.A.)
3.1.4. JVC Professional Products Company
3.1.5. Panasonic Business and Professional Solutions
3.1.6. Samsung Electronics
3.1.7. Sony Broadcast and Production Systems Division
3.1.8. Apple
3.2. Grade-2 Monitors
3.2.1. Boland Communications
3.2.2. Ikegami Electronics (U.S.A.)
3.2.3. Marshall Electronics
3.2.4. Panasonic Business and Professional Solutions
3.2.5. Tamuz
3.3. Grade-3 Monitors
3.3.1. Barco
3.3.2. Christie Digital Systems
3.3.3. JVC Professional Products Company
3.3.4. Panasonic Business and Professional Solutions
3.3.5. ToteVision
4 Forecast of the Total Market
4.1. Differences within sub-market segments
4.2. Market Data for Class-1, -2 and -3 Monitors
5 Summary and Conclusions
6 Appendix
6.1. Market Directions
6.1.1. Ikegami
6.1.2. JVC
6.1.3. Panasonic
6.1.4. Sony
6.2. Professional Monitor Manufacturers
Table of Figures
Figure 1. Monitors Arrayed in a Broadcast Control Room
Figure 2. Consumer Product Launch by Contrast Ratio
Figure 3. Professional Monitor Designed for High Ambient Light
Figure 4. Gamma Matching of Red, Green and Blue
Figure 5. Color Gamuts for Content Creators
Figure 6. D-ILA DLA-HRM1U 48” Reference Monitor from JVC
Figure 7. Cine-tal Cinemage
Figure 8. eCinema DCM23 and DPX24
Figure 9. Ikegami HTM-1980
Figure 10. Ikegami HLM-2200
Figure 11. JVC DT-V1710CGU CRT Monitor
Figure 12. JVC DT-V24L1DU
Figure 13. D-ILA DLA-HRM1U 48” Reference Monitor from JVC
Figure 14. Panasonic BT-LH1700W
Figure 15. Sony BVM-A20F1U
Figure 16. Sony BVM-L230 Trimaster LCD Monitor with LED Backlight
Figure 17. Apple MacBook Pro with 15” and 17” screens
Figure 18. Apple 30” Cinema HD Monitor with G5 Mac
Figure 19. Boland Daybright HD/SD
Figure 20. Ikegami HLM-900R 8.4' HDTV/SDTV Multi-Format LCD Monitor
Figure 21. Marshall V-R82DP-SD in 19” Dual-Mount Configuration
Figure 22. Panasonic BT-LH80W
Figure 23. Tamuz BCM 108 HD
Figure 24. Barco's LC-5621
Figure 25. Barco Overview cDG80-DL
Figure 26. Christie CSP70-D100U
Figure 27. Christie HD7Kc
Figure 28. JVC GM-H40L2GU
Figure 29. Panasonic TH-50PH9UK Plasma Monitor
Figure 30. ToteVision LCD-703HD
Figure 31. CRT Size Distribution, Broadcast Monitors in Europe
Figure 32. LCD Broadcast Monitor Size Distribution, in Europe
Figure 33. Market Penetration in Europe of HD and LCD Monitors
Table of Tables
Table 1. EBU Grade-1 Monitor Specifications.
Table 2. EBU Grade-2 Monitor Specifications.
Table 3. EBU Grade-3 Monitor Specifications.
Table 4. Companies with professional monitor product
Product samples
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