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Speech and Audio Signal Processing. Processing and Perception of Speech and Music. 2nd Edition - Product Image

Speech and Audio Signal Processing. Processing and Perception of Speech and Music. 2nd Edition

  • ID: 2174834
  • September 2011
  • 688 Pages
  • John Wiley and Sons Ltd

When Speech and Audio Signal Processing published in 1999, it stood out from its competition in its breadth of coverage and its accessible, intutiont-based style.  This book was aimed at individual students and engineers excited about the broad span of audio processing and curious to understand the available techniques.  Since then, with the advent of the iPod in 2001, the field of digital audio and music has exploded, leading to a much greater interest in the technical aspects of audio processing. 

This Second Edition will update and revise the original book to augment it with new material describing both the enabling technologies of digital music distribution (most significantly the MP3) and a range of exciting new research areas in automatic music content processing (such as automatic transcription, music similarity, etc.) that have emerged in the past five years, driven by the digital music revolution. 

New chapter topics include:

- Psychoacoustic Audio Coding, describing MP3 and related audio coding schemes based on psychoacoustic masking of quantization noise
- Music Transcription, including automatically deriving notes, beats, and chords from music signals.
- Music Information Retrieval, primarily focusing on audio-based genre classification, artist/style identification, and similarity estimation.
- Audio Source Separation, including multi-microphone beamforming, blind source separation, and the perception-inspired techniques usually referred to as Computational Auditory Scene Analysis (CASA).

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PREFACE TO THE 2011 EDITION xxi

CHAPTER 1 INTRODUCTION 1

PART I HISTORICAL BACKGROUND

CHAPTER 2 SYNTHETIC A UDIO: A BRIEF HISTORY 9

CHAPTER 3 SPEECH ANALYSIS AND SYNTHESIS OVERVIEW 21

CHAPTER 4 BRIEF HISTORY OF AUTOMATIC SPEECH RECOGNITION 40

CHAPTER 5 SPEECH-RECOGNITION OVERVIEW 59

PART II MATHEMATICAL BACKGROUND

CHAPTER 6 DIGITAL SIGNAL PROCESSING 73

CHAPTER 7 DIGITAL FILTERSAND DISCRETE FOURIER TRANSFORM 87

CHAPTER 8 PATTERN CLASSIFICATION 105

CHAPTER 9 STATISTICAL PATTERN CLASSIFICATION 124

PART III ACOUSTICS

CHAPTER 10 WAVE BASICS 141

CHAPTER 11 ACOUSTIC TUBE MODELING OF SPEECH PRODUCTION 152

CHAPTER 12 MUSICAL INSTRUMENT ACOUSTICS 158

CHAPTER 13 ROOM ACOUSTICS 179

PART IV AUDITORY PERCEPTION

CHAPTER 14  EAR PHYSIOLOGY 193

CHAPTER 15 PSYCHOACOUSTICS 209

CHAPTER 16 MODELS OF PITCH PERCEPTION 218

CHAPTER 17 SPEECH PERCEPTION 232

CHAPTER 18 HUMAN SPEECH RECOGNITION 250

PART V SPEECH FEATURES

CHAPTER 19 THE AUDITORY SYSTEM AS A FILTER BANK 263

CHAPTER 20 THE CEPSTRUM AS A SPECTRAL ANALYZER 277

CHAPTER 21 LINEAR PREDICTION 286

PART VI A UTOMATIC SPEECH RECOGNITION

CHAPTER 22 FEATURE EXTRACTION FOR ASR 301

CHAPTER 23 LINGUISTIC CATEGORIES FOR SPEECH RECOGNITION 319

CHAPTER 24 DETERMINISTIC SEQUENCE RECOGNITION FOR ASR 337

CHAPTER 25 STATISTICAL SEQUENCE RECOGNITION 350

CHAPTER 26 STATISTICAL MODEL TRAINING 364

CHAPTER 27 DISCRIMINANT ACOUSTIC PROBABILITY ESTIMATION 381

CHAPTER 28 ACOUSTIC MODEL TRAINING: FURTHER TOPICS 394

CHAPTER 29 SPEECH RECOGNITION AND UNDERSTANDING 416

PART VII SYNTHESIS AND CODING

CHAPTER 30 SPEECH SYNTHESIS 431

CHAPTER 31 PITCH DETECTION 455

CHAPTER 32 VOCODERS 473

CHAPTER 33 LOW-RATE VOCODERS 493

CHAPTER 34 MEDIUM-RATE AND HIGH-RATE VOCODERS 505

CHAPTER 35 PERCEPTUAL A UDIO CODING 531

PART VIII OTHER APPLICATIONS

CHAPTER 36 SOME ASPECTS OF COMPUTER MUSIC SYNTHESIS 553

CHAPTER 37 MUSIC SIGNAL ANALYSIS 567

CHAPTER 38 MUSIC RETRIEVAL 581

CHAPTER 39 SOURCE SEPARATION 59

CHAPTER 40 SPEECH TRANSFORMATIONS 617

CHAPTER 41 SPEAKER VERIFICATION 633

CHAPTER 42 SPEAKER DIARIZATION

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The late Ben Gold consulted at Massachusetts Institute of Technology and Lincoln Laboratory and taught at the University of California at Berkeley. He was the author of Digital Processing of Signals and the coauthor of Theory and Applications of Digital Signal Processing. Dr. Gold was an IEEE Fellow, member of the National Academy of Engineering, and recipient of several IEEE awards.

Nelson Morgan is the Director of the International Computer Science Institute, an independent, not-for profit research laboratory affiliated with the University of California at Berkeley. Dr. Morgan is also Professor-in-Residence in the Electrical Engineering and Computer Sciences Department at UC Berkeley. Dr. Morgan is an IEEE Fellow.

Dan Ellis is Associate Professor in the Electrical Engineering Department of Columbia University. Dr. Ellis's Laboratory for Recognition and Organization of Speech and Audio (LabROSA) investigates how to extract high-level information from audio, including speech recognition, music description, and environmental sound processing.

Note: Product cover images may vary from those shown
Note: Product cover images may vary from those shown

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