MultiMedia Intelligence, Jan 2008, Pages: 70
have through supporting interactive businessmodels on a multi-platform, multi-network basis. The report includes an assessment of the digital media ecosystem, the DWM & fingerprinting value chain
Netscribes (India) Pvt. Ltd., April 2009, Pages: 18
multiplexes and single screen cinemas. An overview gives a quick picture of the market with estimated market size, growth rate and theatre distribution in India. Various businessmodels adopted by Indian
Netscribes (India) Pvt. Ltd., May 2010, Pages: 32
multiplexes and single screens in India. Various businessmodels adopted by Indian multiplex operators are presented along with typical revenue streams and cost base. An analysis of drivers reveals
Baseline Intelligence, April 2011, Pages: 142
services in each of the four major service categories, from YouTube and Hulu to Epix and Stickam. Each profile includes sections on Content, Content Licensors, Investors/Owners, Key Features, BusinessModel
Business Insights, Aug 2010, Pages: 169
– coalition for innovative measurement
Monetization strategies
Commercial fundamentals
Sky – a blueprint for success
The hybrid ‘freemium’ businessmodel
Emerging opportunities for added value engagement
Global Industry Analysts, Inc., Sep 2008, Pages: 255
): Percentage
Market Share by Type - CDC, GOTO, Imax, Iwrk, Kinoton,
Mega, and Others 92
Table 8: Global Cinema: Number of DigitalCinema Screens
and Percentage Growth for Years 2001 to 2006 92
Table 9
Paul Budde Communication Pty Ltd., Jan 2011, Pages: 14
platforms, as well as interactive TV services.
1. Synopsis
2. Convergence
2.1 Key general trends
2.2 Businessmodels
2.2.1 Bundled services
2.2.2 Smart Telecom
2.2.3 Magnet Networks
2.2.4 UPC Ireland
2
Bizacumen Inc., Nov 2009, Pages: 329
Effective Content Delivery 10 New Facets of DRM
- Security Apprehensions Across the Business World Drive Global DRM Market
- Growth in Digital Media and Subsequent Security Problems Propel DRM
Paul Budde Communication Pty Ltd., Feb 2010, Pages: 13
and satellite platforms, as well as interactive TV services.
1. Synopsis
2. Convergence
2.1 Key general trends
2.2 Businessmodels
2.2.1 Bundled services
2.2.2 Smart Telecom
2.2.3 Magnet Networks
2.2.4 UPC
Global Industry Analysts, Inc., Oct 2011, Pages: 533
recession proof, the global Digital Rights Management (DRM) market ironically in the year 2009 depicted a marked weakening in the midst of a steady deterioration in business climate. The length, breath
Paul Budde Communication Pty Ltd., Sep 2011, Pages: 420
.1.2 Businessmodels
3.1.3 Regulatory issues
3.2 Digital TV
3.2.1 Overview
3.2.2 TV-over-DSL (IPTV)
3.2.3 Cable TV
3.2.4 Satellite TV
3.2.5 Digital terrestrial TV
3.2.6 Free-to-Air (FTA) TV
4. Belarus
4
IDATE, June 2011, Pages: 70
Table 16: Comparison of the key features of advanced set-top boxes
Table 17: Main 3D VoD channels and services that have been released
Table 18: Content and businessmodel for available 3D services
Plimsoll Publishing Ltd., Jan 2012, Pages: 850
The Plimsoll Analysis provides you with the most up to date and comprehensive analysis of the top 9 companies operating the market. It is ideal for anyone wanting to.
Benchmark their own business
Elsevier Science and Technology, Nov 2006, Pages: 208
of digital cameras
- 48 FPS for enhanced motion
- Will film distribution be phased out?
- Digitalcinema centric workflow
- Color Appearance Modeling
- Auto color transforms for home video and other
Paul Budde Communication Pty Ltd., March 2010, Pages: 15
.1 Key general trends
2.2 Businessmodels
2.2.1 Triple play
2.2.2 Quad play
2.3 Regulatory issues
2.3.1 VoIP
3. Digital TV (DTV)
3.1 Broadband (IPTV)
3.1.1 Telecom Italia
3.1.2 Wind
3.1.3 FASTWEB
3
Paul Budde Communication Pty Ltd., Dec 2010, Pages: 17
.1 Key general trends
2.2 Businessmodels
2.2.1 Bundled services
2.3 Regulatory issues
2.3.1 VoIP
3. Digital TV (DTV)
3.1 Broadband (IPTV)
3.1.1 Telecom Italia
3.1.2 Wind
3.1.3 Fastweb
3.1.4 Tiscali
3
Global Industry Analysts, Inc., Aug 2011, Pages: 471
research and reported select online sources.
Please note: Reports are sold as single-site single-user licenses. Electronic versions require 24-48 hours as each copy is customized to the client with digital controls
Futurescape, Aug 2009, Pages: 100
and original research
Who should read this?
- Business development executives, digital executives and commissioners in studios, broadcasters, and Web video and social networking sites
- Branded entertainment
