What makes the demand for new and challenging architecture all the greater is the rapidly changing relationship between countryside and city, driven by social and technological development. In these circumstances, precedents from history and tradition are at best starting points: imagination, innovation and creativity are essential to do full justice to new challenges, expectations and opportunities. As urban life becomes increasingly rarified and stressful, so the contrast with raw nature assumes a different value to its status in past centuries, when architects generally sought to bring nature under human control. So this book divides houses into sections that reflect elemental qualities of landscape, forest, plain, ocean and mountain, as well as a section on houses that update the tradition of manipulating nature into telling a story.
Flatz House by Baumshlager + Eberle.
Two Houses by Eduardo Souto de Moura.
Casa Cascara by Cazu Zegers Garcia and Juan Pablo Almarza.
Well Hall by Quinghyn Ma.
House in the Tian Shan Mountains by Audrey Matlock.
House outside Moscow by Tanya Kalinina of Macadam Architects.
Duckett House by John Pardey.
Forest Floor House by Kengo Kuma.
Mountain Tree House by Scogin Elam.
House at Bay of Islands by Fearon Hay.
McNair House by Sean Godsell.
House on Corfu by Timothy Hatton Architects.
Writing with the Light House by Steven Holl.
Dirk Cove by Niall McLaughlin.
Beach House by Lacaton Vassal.
House in Dorset by Nigel Anderson of Robert Adam Architects.
Slefinge Herrgård by Mikale Bergquist.
Du Plessis House by Marcio Kogan.
House Sue by Derick de Bruyn.
Siedlisko Farmhouse by Archistudio.
Group of Houses by Leroy Street Studio.
New Hill by John Winter.
Old Wardour House by Eric Parry Architects.
Sphinx Hill by John Outram.
Lower Mill Estate by Richard Reid Architects and Others.