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Ornament. The Politics of Architecture and Subjectivity. Architectural Design Primer

  • ID: 4290689
  • Book
  • 168 Pages
  • John Wiley and Sons Ltd
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Once condemned by Modernism and compared to a crime by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well–known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology.

Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the subjective the human interaction that ornament requires in both its production and its reception and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today s ornamental revival. What does it tell us about present–day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?
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Introduction: Architecture as Ornament? 009

Chapter 1: A Problematic Return 017

The Ornamental Revival in Contemporary Architecture 019

Textures, Patterns and Topology: A Different Ornament 027

The Subjective and the Political 047

Chapter 2: Ornament and Subjectivity 059

The Visage of Architecture 060

The Architect between Rules and Invention  062

Artists, Craftsmen and the Fabrication of Ornament 073

From Clients to Passer–By 082

Industrialisation and the Ornamental Impulse 090

The Ghost of ornament 097

Chapter 3: Politics of Ornament

From Economics to Politics 103

Communication and Style 106

The Power of Architectural Décor 122

Chapter 4: Reinventing the Meaning of Ornament 129

A New Architectural Subject 129

Political Uncertainties 144

Meaning and Symbols 145

Bibliography 157

Index 163

Picture Credits 167
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Antoine Picon
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