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Global Music Streaming Market By Content Type (Audio and Video), By Platform (Apps and Browsers), By Service Type (On-demand Streaming and Live Streaming), By End User (Individual and Commercial) By Region, Industry Analysis and Forecast, 2020 - 2026

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    Report

  • 225 Pages
  • December 2020
  • Region: Global
  • Marqual IT Solutions Pvt. Ltd (KBV Research)
  • ID: 5233801
The Global Music Streaming Market size is expected to reach $60.5 billion by 2026, rising at a market growth of 16% CAGR during the forecast period. The transmission of music in a compressed state by utilizing the internet is termed Music streaming. It can be recovered and played, according to the user’s time and convenience without downloading it manually. The music streaming services do not occupy any space in the storage device. It also offers a person to access millions of songs as per their choice. There is a rising graph of internet users and increasing usage of smartphones and laptops in the world that are contributing to the growth of the market during the forecast period. Additionally, the rising digitization and customer preference to adopt advanced consumer electronic products are some of the major reasons that will fuel the market during the forecast period.

Furthermore, the availability of unique and dormant music according to the user’s time and mood is another reason to fuel the growth of the market during the forecast period. Moreover, some technological development like growth in voice recognition technology to improve consumer experience is another reason behind the growing market of streaming music during the forecast period. Although, growing piracy in the world is acting as a restraint of the market. Additionally, low profit, expenditure on the licensing process, and high competition are some of the major factors that restrict the growth of the market during the forecast period.

Almost every country has been affected by the spread of the COVID-19 virus and declared a lockdown in their country. This pandemic resulted in an increasing number of users, who are engaged in live streaming through platforms like Instagram and YouTube. According to Tencent Music Entertainment, the revenue from online music subscriptions is increased by 70% in the first quarter of the year 2020. In addition, online music paying users have increased to 42.7 million with a year-over-year increase of 50%. Furthermore, the increasing popularity of live streaming and the accessibility of the users to local content on such online platforms are also contributing to the growth of the market.

By Content Type

Based on Content Type, the market is segmented into Audio and Video. The audio category of the market has dominated and accounted for the major revenue share in 2019. This is owing to increasing the number of commercial users, which includes cafes, restaurants, pubs, and Gyms, who plays a song on their commercial places for entertainment. Many customers prefer to listen to music while working, exercising, commuting, and doing household work is acting as a driver of the market.

By Platform

Based on Platform, the market is segmented into Apps and Browsers. The app category has dominated and computed for the largest revenue share of the market in 2019. This category is estimated to continue its dominance during the forecast period. This thing has resulted in the availability of millions of tracks on an app that can be accessed for free. Many users also buy some songs that are available on these apps.



By Service Type

Based on Service Type, the market is segmented into On-demand Streaming and Live Streaming. The On-demand Streaming market dominated the Global Music Streaming Market by Service Type 2019. The Live Streaming market is expected to witness a CAGR of 16.9% during (2020 - 2026).



By End User

Based on End User, the market is segmented into Individual and Commercial. The commercial end-user category includes places like salons, pubs, restaurants, gyms, and cafes. This category is anticipated to grow remarkably during the forecast period due to the rising need to offer better ambiance to attract customers. Furthermore, music keeps the employees happy and maintains their energy while doing their respective work. Hence, commercial place owners are mostly adopting music streaming services.

By Region

Based on Regions, the market is segmented into North America, Europe, Asia Pacific, and Latin America, Middle East & Africa. North America has the largest revenue share in the market in 2019. The regional market is anticipated to maintain its dominance during the forecast period. The presence of main players of the market like Apple, Amazon, Pandora, and Google is one of the main reasons that are driving the market in that region. Furthermore, in Asia-Pacific, the market is also anticipated to offer a freemium model of streaming services to support the volume-driven market in this region and maintain the existing customers and attract new potential customers.


The major strategies followed by the market participants are Product Launches and Partnerships. Based on the Analysis presented in the Cardinal matrix; Google, Inc. and Apple, Inc. are the forerunners in the Music Streaming Market. Companies such as SoundCloud Ltd., Amazon.com, Inc., iHeartMedia, Inc., Deezer S.A., Spotify Technologies S.A., Sirius XM Holdings, Inc., Aspiro AB, and Tencent Music Entertainment Group are some of the key innovators in the market.

The market research report covers the analysis of key stake holders of the market. Key companies profiled in the report include Amazon.com, Inc., Apple, Inc., Google, Inc., Tencent Music Entertainment Group (Tencent Holdings Ltd.), Spotify Technologies S.A., SoundCloud Ltd., Sirius XM Holdings, Inc. (Pandora Media, Inc.), iHeartMedia, Inc. (Thomas H. Lee Partners), Deezer S.A. (Access Industries Holdings LLC) and Aspiro AB (Tidal).

Recent strategies deployed in Music Streaming Market

Partnerships, Collaborations, and Agreements:

Dec-2020: Sirius XM collaborated with 88rising. The collaboration aimed to launch the channel of both the companies together. Under this collaboration, Pandora launched a complementary 88rising Radio station that includes selected tracks and exclusive artist audio messages from the Sirius XM channel.

Nov-2020: Deezer partnered with Orange Egypt. The partnership allowed customers in Egypt to sign up for Deezer Premium with unlimited access to music and podcasts. It also offers new users one month of Deezer Premium for free.

Nov-2020: Tencent renewed its agreement with Merlin. Under this renewal agreement, both the companies aimed to explore ways to drive the creation of music value, and improve the music experience for TME's users.

Nov-2020: Tencent signed a partnership agreement with Wave. The partnership helped Tencent Music Entertainment Group to avail air Wave experiences in China across all of its platforms including Kugou Music, QQ Music, Kuwo Music, and WeSing.

Oct-2020: Pandora partnered with Chartmetric. In this partnership, the latter company's Free and Premium tier have the former company's 28-day unique listener counts, daily/lifetime station ads, and daily/lifetime stream counts available at the artist level and track level.

Sep-2020: Amazon Music came into partnership with Twitch. The companies announced the incorporation of Twitch’s live streaming feature into the Amazon Music app that enables fans to engage with artists in brand-new ways and move seamlessly between live streams and recorded music.

Sep-2020: Tidal collaborated with Maserati. This collaboration enabled Maserati to have the Tidal app pre-installed with a complimentary 12 or 3-month membership depending on the vehicle and improve the music experience while driving.

Sep-2020: Tidal partnered with MTN. The partnership enabled MTN subscribers to receive free 30-day access to Tidal and helped it to continue its expansion into the multi-genre world of African music. The Tidal membership includes high-quality music, concerts, videos, interviews, and more from top artists across the globe.

Jul-2020: Apple Music collaborated with Verzuz. The collaboration focused on availing the live battle of Verzuz and after the live battles, music fans can also realize the musical greatness by watching it on-demand.

Jun-2020: Deezer signed an agreement with Linkfire. The agreement helped Deezer to access data on what music listeners do after following one of its smart links to the streaming service.

May-2020: Spotify signed an agreement with an Indian record label, Saregama. It enabled Spotify to add more songs to its catalogue in India with the access to the songs by artists such as Lata Mangeshkar, Mohammed Rafi, Kishore Kumar, Asha Bhosle, and RD Burman among others.

Apr-2020: iHeartMedia partnered with Uno Radio Group. The partnership expanded the iHeartRadio brand into Puerto Rico. The Uno Radio group's users can access to iHeartMedia’s leading content and programming including promotions and national contests. Additionally, iHeartMedia’s advertising partners got the opportunity to partner with Uno Radio Group’s stations on programs and advertising.

Apr-2020: Spotify partnered with Shemaroo. This partnership provided access to its music content library to Spotify users and give them access to a wide range of Indian music categories across languages from the house of Shemaroo.

Apr-2020: Spotify renewed its partnership with Warner Music Group. The deal improved Spotify’s music library in countries like India, making it more competitive against Apple Music and other streaming services.

Mar-2020: Tidal came into partnership with JLab. Under this partnership, JLab customers received 3 months free of Tidal Premium through its JLab headphones purchase. Tidal provides access to more than 60 million songs and helps in making music more accessible and enjoyable to consumers with JLab.

Acquisition and Mergers:

Nov-2020: Spotify acquired Megaphone. The acquisition helped advertisers and podcast publishers realize the full potential of podcasts. The companies aimed to achieve the power of the Megaphone Targeted Marketplace and making Streaming Ad Insertion available to third-party podcast publishers for the first time.

Feb-2020: Deezer acquired MUGO. This acquisition enabled Deezer to become a key audio streaming player in Mexico and accelerated its growth in the region.

May-2019: SoundCloud acquired Repost Network. This acquisition provided high-performing, emerging creators a seamless upstream to Repost Network’s invite-only tools and services like streaming distribution, analytics dashboards, content protection, and more.

Feb-2019: iHeartMedia acquired Athens. This acquisition allowed the company to use Radiojar’s tools to combine the seamless elements of broadcast radio and change these skillfully-produced listening experiences into other audio platforms including music streaming and podcasts, offering high-quality audio experiences more effectively and efficiently.

Sep-2018: Apple acquired Shazam. This acquisition provided users even more great ways to discover, experience, and enjoy music.

Product Launches and Product Expansions:

Dec-2020: Amazon updated its Music app for its Android users that bring the ability to stream music videos. This music streaming feature on Amazon Music is limited only to Amazon Music Unlimited paid subscribers.

Oct-2020: Apple unveiled a new TV channel, Apple Music TV. It includes new music videos and premiers, specially curated music video blocks, and live shows and events.

Aug-2020: Apple launched two new live global radio offerings on Apple Music. Apple Music Hits celebrates everyone’s favorite songs from the ’80s, ’90s, and 2000s, and Apple Music Country, limelight country music.

Jul-2020: Sirius XM launched its latest collection of exclusive radio channels dedicated to iconic musicians. Sirius XM's new channels from Beastie Boys, Bob Marley, Coldplay, Michael Jackson, and Queen, plus the return of The Prince Channel, are available on the Sirius XM app, internet-connected devices, and smart speakers in the home.

Nov-2019: Amazon introduced the free version of its music streaming service along with a free advertisement-run plan for its Amazon Prime Music.

Sep-2019: Amazon Music launched the Amazon Music HD, a new tier of premium quality music. It supports songs in Ultra High Definition, the highest quality streaming audio available.

Feb-2019: SoundCloud introduced a new distribution tool. This tool enabled artists to distribute their music to other streaming services.

Jan-2019: Deezer introduced Radio By Deezer app. This subscription-free app provides instant access to 30,000 stations worldwide across music, live sports, news, and talk and all without additional adverts.

Geographical Expansions:

Mar-2019: Google launched its YouTube music app in India. The YouTube Music streaming and download service in India include popular Bollywood Hindi scores and other local-language music.

Scope of the Study

Market Segments covered in the Report:

By Content Type
  • Audio
  • Video

By Platform
  • Apps
  • Browsers

By Service Type
  • On-demand Streaming
  • Live Streaming

By End User
  • Individual
  • Commercial

By Geography
  • North America
  • US
  • Canada
  • Mexico
  • Rest of North America
  • Europe
  • Germany
  • UK
  • France
  • Russia
  • Spain
  • Italy
  • Rest of Europe
  • Asia Pacific
  • China
  • Japan
  • India
  • South Korea
  • Singapore
  • Malaysia
  • Rest of Asia Pacific
  • LAMEA
  • Brazil
  • Argentina
  • UAE
  • Saudi Arabia
  • South Africa
  • Nigeria
  • Rest of LAMEA

Companies Profiled
  • Amazon.com, Inc.
  • Apple, Inc.
  • Google, Inc.
  • Tencent Music Entertainment Group (Tencent Holdings Ltd.)
  • Spotify Technologies S.A.
  • SoundCloud Ltd.
  • Sirius XM Holdings, Inc. (Pandora Media, Inc.)
  • iHeartMedia, Inc. (Thomas H. Lee Partners)
  • Deezer S.A. (Access Industries Holdings LLC)
  • Aspiro AB (Tidal)

Unique Offerings from the Publisher
  • Exhaustive coverage
  • Highest number of market tables and figures
  • Subscription based model available
  • Guaranteed best price
  • Assured post sales research support with 10% customization free

Table of Contents

Chapter 1. Market Scope & Methodology
1.1 Market Definition
1.2 Objectives
1.3 Market Scope
1.4 Segmentation
1.4.1 Global Music Streaming Market, by Content Type
1.4.2 Global Music Streaming Market, by Platform
1.4.3 Global Music Streaming Market, by Service Type
1.4.4 Global Music Streaming Market, by End User
1.4.5 Global Music Streaming Market, by Geography
1.5 Methodology for the research
Chapter 2. Market Overview
2.1 Introduction
2.1.1 Overview
2.1.2 Executive Summary
2.1.3 Market Composition and Scenario
2.2 Key Factors Impacting the Market
2.2.1 Market Drivers
2.2.2 Market Restraints
Chapter 3. Competition Analysis - Global
3.1 Cardinal Matrix
3.2 Recent Industry Wide Strategic Developments
3.2.1 Partnerships, Collaborations and Agreements
3.2.2 Product Launches and Product Expansions
3.2.3 Acquisition and Mergers
3.3 Top Winning Strategies
3.3.1 Key Leading Strategies: Percentage Distribution (2016-2020)
3.3.2 Key Strategic Move: (Partnerships, Collaborations, and Agreements : 2016, Jan - 2020, Dec) Leading Players
Chapter 4. Global Music Streaming Market by Content Type
4.1 Global Music Streaming Audio Market by Region
4.2 Global Music Streaming Video Market by Region
Chapter 5. Global Music Streaming Market by End User
5.1 Global Individual Music Streaming Market by Region
5.2 Global Commercial Music Streaming Market by Region
Chapter 6. Global Music Streaming Market by Platform
6.1 Global Apps Music Streaming Market by Region
6.2 Global Browsers Music Streaming Market by Region
Chapter 7. Global Music Streaming Market by Service Type
7.1 Global On-demand Streaming Music Streaming Market by Region
7.2 Global Live Streaming Music Streaming Market by Region
Chapter 8. Global Music Streaming Market by Region
8.1 North America Music Streaming Market
8.1.1 North America Music Streaming Market by Content Type
8.1.1.1 North America Music Streaming Audio Market by Country
8.1.1.2 North America Music Streaming Video Market by Country
8.1.2 North America Music Streaming Market by End User
8.1.2.1 North America Individual Music Streaming Market by Country
8.1.2.2 North America Commercial Music Streaming Market by Country
8.1.3 North America Music Streaming Market by Platform
8.1.3.1 North America Apps Music Streaming Market by Country
8.1.3.2 North America Browsers Music Streaming Market by Country
8.1.4 North America Music Streaming Market by Service Type
8.1.4.1 North America On-demand Streaming Music Streaming Market by Country
8.1.4.2 North America Live Streaming Music Streaming Market by Country
8.1.5 North America Music Streaming Market by Country
8.1.5.1 US Music Streaming Market
8.1.5.1.1 US Music Streaming Market by Content Type
8.1.5.1.2 US Music Streaming Market by End User
8.1.5.1.3 US Music Streaming Market by Platform
8.1.5.1.4 US Music Streaming Market by Service Type
8.1.5.2 Canada Music Streaming Market
8.1.5.2.1 Canada Music Streaming Market by Content Type
8.1.5.2.2 Canada Music Streaming Market by End User
8.1.5.2.3 Canada Music Streaming Market by Platform
8.1.5.2.4 Canada Music Streaming Market by Service Type
8.1.5.3 Mexico Music Streaming Market
8.1.5.3.1 Mexico Music Streaming Market by Content Type
8.1.5.3.2 Mexico Music Streaming Market by End User
8.1.5.3.3 Mexico Music Streaming Market by Platform
8.1.5.3.4 Mexico Music Streaming Market by Service Type
8.1.5.4 Rest of North America Music Streaming Market
8.1.5.4.1 Rest of North America Music Streaming Market by Content Type
8.1.5.4.2 Rest of North America Music Streaming Market by End User
8.1.5.4.3 Rest of North America Music Streaming Market by Platform
8.1.5.4.4 Rest of North America Music Streaming Market by Service Type
8.2 Europe Music Streaming Market
8.2.1 Europe Music Streaming Market by Content Type
8.2.1.1 Europe Music Streaming Audio Market by Country
8.2.1.2 Europe Music Streaming Video Market by Country
8.2.2 Europe Music Streaming Market by End User
8.2.2.1 Europe Individual Music Streaming Market by Country
8.2.2.2 Europe Commercial Music Streaming Market by Country
8.2.3 Europe Music Streaming Market by Platform
8.2.3.1 Europe Apps Music Streaming Market by Country
8.2.3.2 Europe Browsers Music Streaming Market by Country
8.2.4 Europe Music Streaming Market by Service Type
8.2.4.1 Europe On-demand Streaming Music Streaming Market by Country
8.2.4.2 Europe Live Streaming Music Streaming Market by Country
8.2.5 Europe Music Streaming Market by Country
8.2.5.1 Germany Music Streaming Market
8.2.5.1.1 Germany Music Streaming Market by Content Type
8.2.5.1.2 Germany Music Streaming Market by End User
8.2.5.1.3 Germany Music Streaming Market by Platform
8.2.5.1.4 Germany Music Streaming Market by Service Type
8.2.5.2 UK Music Streaming Market
8.2.5.2.1 UK Music Streaming Market by Content Type
8.2.5.2.2 UK Music Streaming Market by End User
8.2.5.2.3 UK Music Streaming Market by Platform
8.2.5.2.4 UK Music Streaming Market by Service Type
8.2.5.3 France Music Streaming Market
8.2.5.3.1 France Music Streaming Market by Content Type
8.2.5.3.2 France Music Streaming Market by End User
8.2.5.3.3 France Music Streaming Market by Platform
8.2.5.3.4 France Music Streaming Market by Service Type
8.2.5.4 Russia Music Streaming Market
8.2.5.4.1 Russia Music Streaming Market by Content Type
8.2.5.4.2 Russia Music Streaming Market by End User
8.2.5.4.3 Russia Music Streaming Market by Platform
8.2.5.4.4 Russia Music Streaming Market by Service Type
8.2.5.5 Spain Music Streaming Market
8.2.5.5.1 Spain Music Streaming Market by Content Type
8.2.5.5.2 Spain Music Streaming Market by End User
8.2.5.5.3 Spain Music Streaming Market by Platform
8.2.5.5.4 Spain Music Streaming Market by Service Type
8.2.5.6 Italy Music Streaming Market
8.2.5.6.1 Italy Music Streaming Market by Content Type
8.2.5.6.2 Italy Music Streaming Market by End User
8.2.5.6.3 Italy Music Streaming Market by Platform
8.2.5.6.4 Italy Music Streaming Market by Service Type
8.2.5.7 Rest of Europe Music Streaming Market
8.2.5.7.1 Rest of Europe Music Streaming Market by Content Type
8.2.5.7.2 Rest of Europe Music Streaming Market by End User
8.2.5.7.3 Rest of Europe Music Streaming Market by Platform
8.2.5.7.4 Rest of Europe Music Streaming Market by Service Type
8.3 Asia Pacific Music Streaming Market
8.3.1 Asia Pacific Music Streaming Market by Content Type
8.3.1.1 Asia Pacific Music Streaming Audio Market by Country
8.3.1.2 Asia Pacific Music Streaming Video Market by Country
8.3.2 Asia Pacific Music Streaming Market by End User
8.3.2.1 Asia Pacific Individual Music Streaming Market by Country
8.3.2.1.1 Asia Pacific Commercial Music Streaming Market by Country
8.3.3 Asia Pacific Music Streaming Market by Platform
8.3.3.1 Asia Pacific Apps Music Streaming Market by Country
8.3.3.2 Asia Pacific Browsers Music Streaming Market by Country
8.3.4 Asia Pacific Music Streaming Market by Service Type
8.3.4.1 Asia Pacific On-demand Streaming Music Streaming Market by Country
8.3.4.2 Asia Pacific Live Streaming Music Streaming Market by Country
8.3.5 Asia Pacific Music Streaming Market by Country
8.3.5.1 China Music Streaming Market
8.3.5.1.1 China Music Streaming Market by Content Type
8.3.5.1.2 China Music Streaming Market by End User
8.3.5.1.3 China Music Streaming Market by Platform
8.3.5.1.4 China Music Streaming Market by Service Type
8.3.5.2 Japan Music Streaming Market
8.3.5.2.1 Japan Music Streaming Market by Content Type
8.3.5.2.2 Japan Music Streaming Market by End User
8.3.5.2.3 Japan Music Streaming Market by Platform
8.3.5.2.4 Japan Music Streaming Market by Service Type
8.3.5.3 India Music Streaming Market
8.3.5.3.1 India Music Streaming Market by Content Type
8.3.5.3.2 India Music Streaming Market by End User
8.3.5.3.3 India Music Streaming Market by Platform
8.3.5.3.4 India Music Streaming Market by Service Type
8.3.5.4 South Korea Music Streaming Market
8.3.5.4.1 South Korea Music Streaming Market by Content Type
8.3.5.4.2 South Korea Music Streaming Market by End User
8.3.5.4.3 South Korea Music Streaming Market by Platform
8.3.5.4.4 South Korea Music Streaming Market by Service Type
8.3.5.5 Singapore Music Streaming Market
8.3.5.5.1 Singapore Music Streaming Market by Content Type
8.3.5.5.2 Singapore Music Streaming Market by End User
8.3.5.5.3 Singapore Music Streaming Market by Platform
8.3.5.5.4 Singapore Music Streaming Market by Service Type
8.3.5.6 Malaysia Music Streaming Market
8.3.5.6.1 Malaysia Music Streaming Market by Content Type
8.3.5.6.2 Malaysia Music Streaming Market by End User
8.3.5.6.3 Malaysia Music Streaming Market by Platform
8.3.5.6.4 Malaysia Music Streaming Market by Service Type
8.3.5.7 Rest of Asia Pacific Music Streaming Market
8.3.5.7.1 Rest of Asia Pacific Music Streaming Market by Content Type
8.3.5.7.2 Rest of Asia Pacific Music Streaming Market by End User
8.3.5.7.3 Rest of Asia Pacific Music Streaming Market by Platform
8.3.5.7.4 Rest of Asia Pacific Music Streaming Market by Service Type
8.4 LAMEA Music Streaming Market
8.4.1 LAMEA Music Streaming Market by Content Type
8.4.1.1 LAMEA Music Streaming Audio Market by Country
8.4.1.2 LAMEA Music Streaming Video Market by Country
8.4.2 LAMEA Music Streaming Market by End User
8.4.2.1 LAMEA Individual Music Streaming Market by Country
8.4.2.2 LAMEA Commercial Music Streaming Market by Country
8.4.3 LAMEA Music Streaming Market by Platform
8.4.3.1 LAMEA Apps Music Streaming Market by Country
8.4.3.2 LAMEA Browsers Music Streaming Market by Country
8.4.4 LAMEA Music Streaming Market by Service Type
8.4.4.1 LAMEA On-demand Streaming Music Streaming Market by Country
8.4.4.2 LAMEA Live Streaming Music Streaming Market by Country
8.4.5 LAMEA Music Streaming Market by Country
8.4.5.1 Brazil Music Streaming Market
8.4.5.1.1 Brazil Music Streaming Market by Content Type
8.4.5.1.2 Brazil Music Streaming Market by End User
8.4.5.1.3 Brazil Music Streaming Market by Platform
8.4.5.1.4 Brazil Music Streaming Market by Service Type
8.4.5.2 Argentina Music Streaming Market
8.4.5.2.1 Argentina Music Streaming Market by Content Type
8.4.5.2.2 Argentina Music Streaming Market by End User
8.4.5.2.3 Argentina Music Streaming Market by Platform
8.4.5.2.4 Argentina Music Streaming Market by Service Type
8.4.5.3 UAE Music Streaming Market
8.4.5.3.1 UAE Music Streaming Market by Content Type
8.4.5.3.2 UAE Music Streaming Market by End User
8.4.5.3.3 UAE Music Streaming Market by Platform
8.4.5.3.4 UAE Music Streaming Market by Service Type
8.4.5.4 Saudi Arabia Music Streaming Market
8.4.5.4.1 Saudi Arabia Music Streaming Market by Content Type
8.4.5.4.2 Saudi Arabia Music Streaming Market by End User
8.4.5.4.3 Saudi Arabia Music Streaming Market by Platform
8.4.5.4.4 Saudi Arabia Music Streaming Market by Service Type
8.4.5.5 South Africa Music Streaming Market
8.4.5.5.1 South Africa Music Streaming Market by Content Type
8.4.5.5.2 South Africa Music Streaming Market by End User
8.4.5.5.3 South Africa Music Streaming Market by Platform
8.4.5.5.4 South Africa Music Streaming Market by Service Type
8.4.5.6 Nigeria Music Streaming Market
8.4.5.6.1 Nigeria Music Streaming Market by Content Type
8.4.5.6.2 Nigeria Music Streaming Market by End User
8.4.5.6.3 Nigeria Music Streaming Market by Platform
8.4.5.6.4 Nigeria Music Streaming Market by Service Type
8.4.5.7 Rest of LAMEA Music Streaming Market
8.4.5.7.1 Rest of LAMEA Music Streaming Market by Content Type
8.4.5.7.2 Rest of LAMEA Music Streaming Market by End User
8.4.5.7.3 Rest of LAMEA Music Streaming Market by Platform
8.4.5.7.4 Rest of LAMEA Music Streaming Market by Service Type
Chapter 9. Company Profiles
9.1 Amazon.com, Inc.
9.1.1 Company Overview
9.1.2 Financial Analysis
9.1.3 Segmental and Regional Analysis
9.1.4 Recent strategies and developments:
9.1.4.1 Partnerships, Collaborations, and Agreements:
9.1.4.2 Product Launches and Product Expansions:
9.1.4.3 Geographical Expansions:
9.1.5 SWOT Analysis
9.2 Apple, Inc.
9.2.1 Company Overview
9.2.2 Financial Analysis
9.2.3 Product and Regional Analysis
9.2.4 Research & Development Expense
9.2.5 Recent strategies and developments:
9.2.5.1 Partnerships, Collaborations, and Agreements:
9.2.5.2 Product Launches and Product Expansions:
9.2.5.3 Acquisition and Mergers:
9.2.6 SWOT Analysis
9.3 Google, Inc.
9.3.1 Company Overview
9.3.2 Financial Analysis
9.3.3 Segmental and Regional Analysis
9.3.4 Research & Development Expense
9.3.5 Recent strategies and developments:
9.3.5.1 Partnerships, Collaborations, and Agreements:
9.3.5.2 Geographical Expansions:
9.3.6 SWOT Analysis
9.4 Tencent Music Entertainment Group (Tencent Holdings Ltd.)
9.4.1 Company Overview
9.4.2 Financial Analysis
9.4.3 Research & Development Expense
9.4.4 Recent strategies and developments:
9.4.4.1 Partnerships, Collaborations, and Agreements:
9.5 Spotify Technologies S.A.
9.5.1 Company Overview
9.5.2 Financial Analysis
9.5.3 Segmental Analysis
9.5.4 Research & Development Expense
9.5.5 Recent strategies and developments:
9.5.5.1 Partnerships, Collaborations, and Agreements:
9.5.5.2 Acquisition and Mergers:
9.6 SoundCloud Ltd.
9.6.1 Company Overview
9.6.2 Recent strategies and developments:
9.6.2.1 Partnerships, Collaborations, and Agreements:
9.6.2.2 Product Launches and Product Expansions:
9.6.2.3 Acquisition and Mergers:
9.7 Sirius XM Holdings, Inc. (Pandora Media, Inc.)
9.7.1 Company Overview
9.7.2 Financial Analysis
9.7.3 Segmental Analysis
9.7.4 Research & Development Expense
9.7.5 Recent strategies and developments:
9.7.5.1 Partnerships, Collaborations, and Agreements:
9.7.5.2 Product Launches and Product Expansions:
9.8 iHeartMedia, Inc. (Thomas H. Lee Partners)
9.8.1 Company Overview
9.8.2 Financial Analysis
9.8.3 Segmental And Regional Analysis
9.8.4 Recent strategies and developments:
9.8.4.1 Partnerships, Collaborations, and Agreements:
9.8.4.2 Product Launches and Product Expansions:
9.8.4.3 Acquisition and Mergers:
9.9 Deezer S.A. (Access Industries Holdings LLC)
9.9.1 Company Overview
9.9.2 Recent strategies and developments:
9.9.2.1 Partnerships, Collaborations, and Agreements:
9.9.2.2 Product Launches and Product Expansions:
9.9.2.3 Acquisition and Mergers:
9.10. Aspiro AB (Tidal)
9.10.1 Company Overview
9.10.2 Recent strategies and developments:
9.10.2.1 Partnerships, Collaborations, and Agreements:

Companies Mentioned

  • Amazon.com, Inc.
  • Apple, Inc.
  • Google, Inc.
  • Tencent Music Entertainment Group (Tencent Holdings Ltd.)
  • Spotify Technologies S.A.
  • SoundCloud Ltd.
  • Sirius XM Holdings, Inc. (Pandora Media, Inc.)
  • iHeartMedia, Inc. (Thomas H. Lee Partners)
  • Deezer S.A. (Access Industries Holdings LLC)
  • Aspiro AB (Tidal)

Methodology

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