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North America Music Streaming Market By Content Type (Audio and Video), By Platform (Apps and Browsers), By Service Type (On-demand Streaming and Live Streaming), By End User (Individual and Commercial) By Country, Industry Analysis and Forecast, 2020 - 2026

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    Report

  • 97 Pages
  • December 2020
  • Region: North America
  • Marqual IT Solutions Pvt. Ltd (KBV Research)
  • ID: 5233778
The North America Music Streaming Market is expected to witness market growth of 14.3% CAGR during the forecast period (2020-2026).

The increasing number of companies in the market and the rising adoption of smartphones in the world have affected the growth of the market. Moreover, the main companies of the market are aiming for the integration of advanced technologies like Augmented Reality (AR), Virtual Reality (VR), 5G for streaming, Artificial Intelligence (AI) and Hologram, in their music streaming platform to increase the competition in the market. For example, MelodyVR, a VR music platform has created a collection of live shows, recorded for streaming on VR headsets like Samsung Gear VR and Oculus Go, or iPhone and Android devices via its app. Similarly, Deezer, a music streaming platform provides a fully-embedded AR music experience to the customers, supported by a specially made Snapchat lens.

As per the RIAA, in 2019, the music streaming platforms held 80% of the total revenue produced by the recorded music industry in the U.S. Although, the privacy and security threat of the user’s databases may restrict the market growth to some extent during the forecast period. These kinds of threats are building a certain pressure on the companies and bring them under strict regulation. For example, in October 2018, the U.S government imposed the Music Modernization Act to upgrade and streamline the music licensing process for the music streaming platforms. This act is focused on keeping an eye on copyright-related issues related to digital streaming and music and audio recordings.

The live music and concert industry of the U.S has also registered significant growth in 2019, along with the trends on track for the year 2020. At the onset of the Covid-19 pandemic, many music events and concerts were canceled which further have a devastating financial impact on everyone. Many streaming platforms have exhibited additional responsibility because earlier, many artists relied on live music shows and concerts for their income, now they are relying on the income generated from these streaming platforms.

Based on Content Type, the market is segmented into Audio and Video. Based on Platform, the market is segmented into Apps and Browsers. Based on Service Type, the market is segmented into On-demand Streaming and Live Streaming. Based on End User, the market is segmented into Individual and Commercial. Based on countries, the market is segmented into U.S., Mexico, Canada, and Rest of North America.

The market research report covers the analysis of key stake holders of the market. Key companies profiled in the report include Amazon.com, Inc., Apple, Inc., Google, Inc., Tencent Music Entertainment Group (Tencent Holdings Ltd.), Spotify Technologies S.A., SoundCloud Ltd., Sirius XM Holdings, Inc. (Pandora Media, Inc.), iHeartMedia, Inc. (Thomas H. Lee Partners), Deezer S.A. (Access Industries Holdings LLC) and Aspiro AB (Tidal)

Scope of the Study

Market Segments covered in the Report:

By Content Type
  • Audio
  • Video

By Platform
  • Apps
  • Browsers

By Service Type
  • On-demand Streaming
  • Live Streaming

By End User
  • Individual
  • Commercial

By Country
  • US
  • Canada
  • Mexico
  • Rest of North America

Companies Profiled
  • Amazon.com, Inc.
  • Apple, Inc.
  • Google, Inc.
  • Tencent Music Entertainment Group (Tencent Holdings Ltd.)
  • Spotify Technologies S.A.
  • SoundCloud Ltd.
  • Sirius XM Holdings, Inc. (Pandora Media, Inc.)
  • iHeartMedia, Inc. (Thomas H. Lee Partners)
  • Deezer S.A. (Access Industries Holdings LLC)
  • Aspiro AB (Tidal)

Unique Offerings from the Publisher
  • Exhaustive coverage
  • Highest number of market tables and figures
  • Subscription based model available
  • Guaranteed best price
  • Assured post sales research support with 10% customization free

Table of Contents

Chapter 1. Market Scope & Methodology
1.1 Market Definition
1.2 Objectives
1.3 Market Scope
1.4 Segmentation
1.4.1 North America Music Streaming Market, by Content Type
1.4.2 North America Music Streaming Market, by Platform
1.4.3 North America Music Streaming Market, by Service Type
1.4.4 North America Music Streaming Market, by End User
1.4.5 North America Music Streaming Market, by Country
1.5 Methodology for the research
Chapter 2. Market Overview
2.1 Introduction
2.1.1 Overview
2.1.2 Executive Summary
2.1.3 Market Composition and Scenario
2.2 Key Factors Impacting the Market
2.2.1 Market Drivers
2.2.2 Market Restraints
Chapter 3. Competition Analysis - Global
3.1 Cardinal Matrix
3.2 Recent Industry Wide Strategic Developments
3.2.1 Partnerships, Collaborations and Agreements
3.2.2 Product Launches and Product Expansions
3.2.3 Acquisition and Mergers
3.3 Top Winning Strategies
3.3.1 Key Leading Strategies: Percentage Distribution (2016-2020)
3.3.2 Key Strategic Move: (Partnerships, Collaborations, and Agreements : 2016, Jan - 2020, Dec) Leading Players
Chapter 4. North America Music Streaming Market by Content Type
4.1 North America Music Streaming Audio Market by Country
4.2 North America Music Streaming Video Market by Country
Chapter 5. North America Music Streaming Market by End User
5.1 North America Individual Music Streaming Market by Country
5.2 North America Commercial Music Streaming Market by Country
Chapter 6. North America Music Streaming Market by Platform
6.1 North America Apps Music Streaming Market by Country
6.2 North America Browsers Music Streaming Market by Country
Chapter 7. North America Music Streaming Market by Service Type
7.1 North America On-demand Streaming Music Streaming Market by Country
7.2 North America Live Streaming Music Streaming Market by Country
Chapter 8. North America Music Streaming Market by Country
8.1 US Music Streaming Market
8.1.1 US Music Streaming Market by Content Type
8.1.2 US Music Streaming Market by End User
8.1.3 US Music Streaming Market by Platform
8.1.4 US Music Streaming Market by Service Type
8.2 Canada Music Streaming Market
8.2.1 Canada Music Streaming Market by Content Type
8.2.2 Canada Music Streaming Market by End User
8.2.3 Canada Music Streaming Market by Platform
8.2.4 Canada Music Streaming Market by Service Type
8.3 Mexico Music Streaming Market
8.3.1 Mexico Music Streaming Market by Content Type
8.3.2 Mexico Music Streaming Market by End User
8.3.3 Mexico Music Streaming Market by Platform
8.3.4 Mexico Music Streaming Market by Service Type
8.4 Rest of North America Music Streaming Market
8.4.1 Rest of North America Music Streaming Market by Content Type
8.4.2 Rest of North America Music Streaming Market by End User
8.4.3 Rest of North America Music Streaming Market by Platform
8.4.4 Rest of North America Music Streaming Market by Service Type
Chapter 9. Company Profiles
9.1 Amazon.com, Inc.
9.1.1 Company Overview
9.1.2 Financial Analysis
9.1.3 Segmental and Regional Analysis
9.1.4 Recent strategies and developments:
9.1.4.1 Partnerships, Collaborations, and Agreements:
9.1.4.2 Product Launches and Product Expansions:
9.1.4.3 Geographical Expansions:
9.1.5 SWOT Analysis
9.2 Apple, Inc.
9.2.1 Company Overview
9.2.2 Financial Analysis
9.2.3 Product and Regional Analysis
9.2.4 Research & Development Expense
9.2.5 Recent strategies and developments:
9.2.5.1 Partnerships, Collaborations, and Agreements:
9.2.5.2 Product Launches and Product Expansions:
9.2.5.3 Acquisition and Mergers:
9.2.6 SWOT Analysis
9.3 Google, Inc.
9.3.1 Company Overview
9.3.2 Financial Analysis
9.3.3 Segmental and Regional Analysis
9.3.4 Research & Development Expense
9.3.5 Recent strategies and developments:
9.3.5.1 Partnerships, Collaborations, and Agreements:
9.3.5.2 Geographical Expansions:
9.3.6 SWOT Analysis
9.4 Tencent Music Entertainment Group (Tencent Holdings Ltd.)
9.4.1 Company Overview
9.4.2 Financial Analysis
9.4.3 Research & Development Expense
9.4.4 Recent strategies and developments:
9.4.4.1 Partnerships, Collaborations, and Agreements:
9.5 Spotify Technologies S.A.
9.5.1 Company Overview
9.5.2 Financial Analysis
9.5.3 Segmental Analysis
9.5.4 Research & Development Expense
9.5.5 Recent strategies and developments:
9.5.5.1 Partnerships, Collaborations, and Agreements:
9.5.5.2 Acquisition and Mergers:
9.6 SoundCloud Ltd.
9.6.1 Company Overview
9.6.2 Recent strategies and developments:
9.6.2.1 Partnerships, Collaborations, and Agreements:
9.6.2.2 Product Launches and Product Expansions:
9.6.2.3 Acquisition and Mergers:
9.7 Sirius XM Holdings, Inc. (Pandora Media, Inc.)
9.7.1 Company Overview
9.7.2 Financial Analysis
9.7.3 Segmental Analysis
9.7.4 Research & Development Expense
9.7.5 Recent strategies and developments:
9.7.5.1 Partnerships, Collaborations, and Agreements:
9.7.5.2 Product Launches and Product Expansions:
9.8 iHeartMedia, Inc. (Thomas H. Lee Partners)
9.8.1 Company Overview
9.8.2 Financial Analysis
9.8.3 Segmental And Regional Analysis
9.8.4 Recent strategies and developments:
9.8.4.1 Partnerships, Collaborations, and Agreements:
9.8.4.2 Product Launches and Product Expansions:
9.8.4.3 Acquisition and Mergers:
9.9 Deezer S.A. (Access Industries Holdings LLC)
9.9.1 Company Overview
9.9.2 Recent strategies and developments:
9.9.2.1 Partnerships, Collaborations, and Agreements:
9.9.2.2 Product Launches and Product Expansions:
9.9.2.3 Acquisition and Mergers:
9.10. Aspiro AB (Tidal)
9.10.1 Company Overview
9.10.2 Recent strategies and developments:
9.10.2.1 Partnerships, Collaborations, and Agreements:

Companies Mentioned

  • Amazon.com, Inc.
  • Apple, Inc.
  • Google, Inc.
  • Tencent Music Entertainment Group (Tencent Holdings Ltd.)
  • Spotify Technologies S.A.
  • SoundCloud Ltd.
  • Sirius XM Holdings, Inc. (Pandora Media, Inc.)
  • iHeartMedia, Inc. (Thomas H. Lee Partners)
  • Deezer S.A. (Access Industries Holdings LLC)
  • Aspiro AB (Tidal)

Methodology

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