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LAMEA Music Streaming Market By Content Type (Audio and Video), By Platform (Apps and Browsers), By Service Type (On-demand Streaming and Live Streaming), By End User (Individual and Commercial) By Country, Industry Analysis and Forecast, 2020 - 2026

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    Report

  • 107 Pages
  • December 2020
  • Region: Africa, Middle East
  • Marqual IT Solutions Pvt. Ltd (KBV Research)
  • ID: 5233818
The Latin America, Middle East and Africa Music Streaming Market is expected to witness market growth of 18.8% CAGR during the forecast period (2020-2026).

Music apps have contributed a lot to the industry by providing millions of songs that can be purchased on the app, with a huge number of songs that can be streamed for free. Moreover, the increasing popularity of media streaming, driven by the internet and the increasing adoption of smartphones, is driving the demand for music streaming app around the globe. There are many platforms in the industry that have developed web and mobile media platforms. These services are available on different platforms like desktop, mobile apps, and web for many different operating systems.

These music streaming platforms are used to provide audio and video content across the internet without any traditionally-laid cable players. These services are primarily provided on the user’s devices like smartphones, tablets, and laptops through a wireless internet connection via apps and browsers. With the emergence of the 5G internet around the globe, streaming technologies offer a continuous listening experience, without any need to save files on a user’s personal devices that observed a substantial demand.

From the past few years, artists have opened about the unfair act of some music platforms for not giving them fair compensation. But now, some platforms are altering their policies and providing direct or indirect financial assistance to help the music community during their struggling time. Spotify has introduced a new feature, which allows artists to raise funds through their Spotify profile and YouTube is also running a campaign that allows artists to post and stream their content to their fans from home. Additionally, YouTube also allowed the fans to donate directly to the artist along with its ad-supported monetization policy.

Based on Content Type, the market is segmented into Audio and Video. Based on Platform, the market is segmented into Apps and Browsers. Based on Service Type, the market is segmented into On-demand Streaming and Live Streaming. Based on End User, the market is segmented into Individual and Commercial. Based on countries, the market is segmented into Brazil, Argentina, UAE, Saudi Arabia, South Africa, Nigeria, and Rest of LAMEA.

The market research report covers the analysis of key stake holders of the market. Key companies profiled in the report include Amazon.com, Inc., Apple, Inc., Google, Inc., Tencent Music Entertainment Group (Tencent Holdings Ltd.), Spotify Technologies S.A., SoundCloud Ltd., Sirius XM Holdings, Inc. (Pandora Media, Inc.), iHeartMedia, Inc. (Thomas H. Lee Partners), Deezer S.A. (Access Industries Holdings LLC) and Aspiro AB (Tidal)

Scope of the Study

Market Segments covered in the Report:

By Content Type
  • Audio
  • Video

By Platform
  • Apps
  • Browsers

By Service Type
  • On-demand Streaming
  • Live Streaming

By End User
  • Individual
  • Commercial

By Country
  • Brazil
  • Argentina
  • UAE
  • Saudi Arabia
  • South Africa
  • Nigeria
  • Rest of LAMEA

Companies Profiled
  • Amazon.com, Inc.
  • Apple, Inc.
  • Google, Inc.
  • Tencent Music Entertainment Group (Tencent Holdings Ltd.)
  • Spotify Technologies S.A.
  • SoundCloud Ltd.
  • Sirius XM Holdings, Inc. (Pandora Media, Inc.)
  • iHeartMedia, Inc. (Thomas H. Lee Partners)
  • Deezer S.A. (Access Industries Holdings LLC)
  • Aspiro AB (Tidal)

Unique Offerings from the Publisher
  • Exhaustive coverage
  • Highest number of market tables and figures
  • Subscription based model available
  • Guaranteed best price
  • Assured post sales research support with 10% customization free

Table of Contents

Chapter 1. Market Scope & Methodology
1.1 Market Definition
1.2 Objectives
1.3 Market Scope
1.4 Segmentation
1.4.1 LAMEA Music Streaming Market, by Content Type
1.4.2 LAMEA Music Streaming Market, by Platform
1.4.3 LAMEA Music Streaming Market, by Service Type
1.4.4 LAMEA Music Streaming Market, by End User
1.4.5 LAMEA Music Streaming Market, by Country
1.5 Methodology for the research
Chapter 2. Market Overview
2.1 Introduction
2.1.1 Overview
2.1.2 Executive Summary
2.1.3 Market Composition and Scenario
2.2 Key Factors Impacting the Market
2.2.1 Market Drivers
2.2.2 Market Restraints
Chapter 3. Competition Analysis - Global
3.1 Cardinal Matrix
3.2 Recent Industry Wide Strategic Developments
3.2.1 Partnerships, Collaborations and Agreements
3.2.2 Product Launches and Product Expansions
3.2.3 Acquisition and Mergers
3.3 Top Winning Strategies
3.3.1 Key Leading Strategies: Percentage Distribution (2016-2020)
3.3.2 Key Strategic Move: (Partnerships, Collaborations, and Agreements : 2016, Jan - 2020, Dec) Leading Players
Chapter 4. LAMEA Music Streaming Market by Content Type
4.1 LAMEA Music Streaming Audio Market by Country
4.2 LAMEA Music Streaming Video Market by Country
Chapter 5. LAMEA Music Streaming Market by End User
5.1 LAMEA Individual Music Streaming Market by Country
5.2 LAMEA Commercial Music Streaming Market by Country
Chapter 6. LAMEA Music Streaming Market by Platform
6.1 LAMEA Apps Music Streaming Market by Country
6.2 LAMEA Browsers Music Streaming Market by Country
Chapter 7. LAMEA Music Streaming Market by Service Type
7.1 LAMEA On-demand Streaming Music Streaming Market by Country
7.2 LAMEA Live Streaming Music Streaming Market by Country
Chapter 8. LAMEA Music Streaming Market by Country
8.1 Brazil Music Streaming Market
8.1.1 Brazil Music Streaming Market by Content Type
8.1.2 Brazil Music Streaming Market by End User
8.1.3 Brazil Music Streaming Market by Platform
8.1.4 Brazil Music Streaming Market by Service Type
8.2 Argentina Music Streaming Market
8.2.1 Argentina Music Streaming Market by Content Type
8.2.2 Argentina Music Streaming Market by End User
8.2.3 Argentina Music Streaming Market by Platform
8.2.4 Argentina Music Streaming Market by Service Type
8.3 UAE Music Streaming Market
8.3.1 UAE Music Streaming Market by Content Type
8.3.2 UAE Music Streaming Market by End User
8.3.3 UAE Music Streaming Market by Platform
8.3.4 UAE Music Streaming Market by Service Type
8.4 Saudi Arabia Music Streaming Market
8.4.1 Saudi Arabia Music Streaming Market by Content Type
8.4.2 Saudi Arabia Music Streaming Market by End User
8.4.3 Saudi Arabia Music Streaming Market by Platform
8.4.4 Saudi Arabia Music Streaming Market by Service Type
8.5 South Africa Music Streaming Market
8.5.1 South Africa Music Streaming Market by Content Type
8.5.2 South Africa Music Streaming Market by End User
8.5.3 South Africa Music Streaming Market by Platform
8.5.4 South Africa Music Streaming Market by Service Type
8.6 Nigeria Music Streaming Market
8.6.1 Nigeria Music Streaming Market by Content Type
8.6.2 Nigeria Music Streaming Market by End User
8.6.3 Nigeria Music Streaming Market by Platform
8.6.4 Nigeria Music Streaming Market by Service Type
8.7 Rest of LAMEA Music Streaming Market
8.7.1 Rest of LAMEA Music Streaming Market by Content Type
8.7.2 Rest of LAMEA Music Streaming Market by End User
8.7.3 Rest of LAMEA Music Streaming Market by Platform
8.7.4 Rest of LAMEA Music Streaming Market by Service Type
Chapter 9. Company Profiles
9.1 Amazon.com, Inc.
9.1.1 Company Overview
9.1.2 Financial Analysis
9.1.3 Segmental and Regional Analysis
9.1.4 Recent strategies and developments:
9.1.4.1 Partnerships, Collaborations, and Agreements:
9.1.4.2 Product Launches and Product Expansions:
9.1.4.3 Geographical Expansions:
9.1.5 SWOT Analysis
9.2 Apple, Inc.
9.2.1 Company Overview
9.2.2 Financial Analysis
9.2.3 Product and Regional Analysis
9.2.4 Research & Development Expense
9.2.5 Recent strategies and developments:
9.2.5.1 Partnerships, Collaborations, and Agreements:
9.2.5.2 Product Launches and Product Expansions:
9.2.5.3 Acquisition and Mergers:
9.2.6 SWOT Analysis
9.3 Google, Inc.
9.3.1 Company Overview
9.3.2 Financial Analysis
9.3.3 Segmental and Regional Analysis
9.3.4 Research & Development Expense
9.3.5 Recent strategies and developments:
9.3.5.1 Partnerships, Collaborations, and Agreements:
9.3.5.2 Geographical Expansions:
9.3.6 SWOT Analysis
9.4 Tencent Music Entertainment Group (Tencent Holdings Ltd.)
9.4.1 Company Overview
9.4.2 Financial Analysis
9.4.3 Research & Development Expense
9.4.4 Recent strategies and developments:
9.4.4.1 Partnerships, Collaborations, and Agreements:
9.5 Spotify Technologies S.A.
9.5.1 Company Overview
9.5.2 Financial Analysis
9.5.3 Segmental Analysis
9.5.4 Research & Development Expense
9.5.5 Recent strategies and developments:
9.5.5.1 Partnerships, Collaborations, and Agreements:
9.5.5.2 Acquisition and Mergers:
9.6 SoundCloud Ltd.
9.6.1 Company Overview
9.6.2 Recent strategies and developments:
9.6.2.1 Partnerships, Collaborations, and Agreements:
9.6.2.2 Product Launches and Product Expansions:
9.6.2.3 Acquisition and Mergers:
9.7 Sirius XM Holdings, Inc. (Pandora Media, Inc.)
9.7.1 Company Overview
9.7.2 Financial Analysis
9.7.3 Segmental Analysis
9.7.4 Research & Development Expense
9.7.5 Recent strategies and developments:
9.7.5.1 Partnerships, Collaborations, and Agreements:
9.7.5.2 Product Launches and Product Expansions:
9.8 iHeartMedia, Inc. (Thomas H. Lee Partners)
9.8.1 Company Overview
9.8.2 Financial Analysis
9.8.3 Segmental And Regional Analysis
9.8.4 Recent strategies and developments:
9.8.4.1 Partnerships, Collaborations, and Agreements:
9.8.4.2 Product Launches and Product Expansions:
9.8.4.3 Acquisition and Mergers:
9.9 Deezer S.A. (Access Industries Holdings LLC)
9.9.1 Company Overview
9.9.2 Recent strategies and developments:
9.9.2.1 Partnerships, Collaborations, and Agreements:
9.9.2.2 Product Launches and Product Expansions:
9.9.2.3 Acquisition and Mergers:
9.10. Aspiro AB (Tidal)
9.10.1 Company Overview
9.10.2 Recent strategies and developments:
9.10.2.1 Partnerships, Collaborations, and Agreements:

Companies Mentioned

  • Amazon.com, Inc.
  • Apple, Inc.
  • Google, Inc.
  • Tencent Music Entertainment Group (Tencent Holdings Ltd.)
  • Spotify Technologies S.A.
  • SoundCloud Ltd.
  • Sirius XM Holdings, Inc. (Pandora Media, Inc.)
  • iHeartMedia, Inc. (Thomas H. Lee Partners)
  • Deezer S.A. (Access Industries Holdings LLC)
  • Aspiro AB (Tidal)

Methodology

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