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Music Distribution Services Market by Type, Deployment Mode, End User: Global Opportunity Analysis and Industry Forecast, 2021-2030

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    Report

  • 219 Pages
  • January 2022
  • Region: Global
  • Allied Market Research
  • ID: 5561172
Description Jump to:
The music industry makes recorded music available to customers through music distribution. It is a key part of the company's business strategy, allowing customers to buy music in stores, download it, or listen to it online. Traditionally, distribution firms establish agreements with record labels that allow them to market the label's merchandise. The distributor keeps a portion of the profit from each unit sold and pays the remaining amount to the label. Since the internet's introduction, the mechanics of music distribution have evolved drastically, with varied results for musicians, which further fuels the growth of music distribution services market.

Increase in number of active music listeners around the globe acts a key driver of the global music distribution services market. In addition, rise in interest in listening to international and different varieties of music is strengthening the growth of the market. However, data leakage and chances of piracy during online music distribution hamper the growth of the market. On the contrary, increase in use of OTT platform and integration of virtual reality are expected to provide lucrative opportunities for the market growth during the forecast period.

The global music distribution services market is segmented into type, deployment mode, end user, and region. By type, the market is bifurcated into artist-t-fan and distributor to digital retailers. Depending on deployment, it is segregated into on-premise and cloud. On the basis of end user, it is fragmented into record companies and independent music producer. Region wise, it is analyzed across North America, Europe, Asia-Pacific, and LAMEA.

The market players operating in the music distribution services market include Amuse, Ditto Music, Horus Music, Kobalt Corp, LANDR Audio, RouteNote Inc., The Orchard (Sony), Spotify, Symphonic Distribution, and Tunecore. These major players have adopted various key development strategies such as business expansion, new product launches, and others, which help to drive the growth of the global music distribution services market.

KEY BENEFITS FOR STAKEHOLDERS

  • The study provides an in-depth analysis of the music distribution service market along with the current trends and future estimations to elucidate the imminent investment pockets.
  • Information about key drivers, restraints, and opportunities and their impact analysis on the music distribution service market size is provided.
  • Porter’s five forces analysis illustrates the potency of buyers and suppliers operating in the music distribution service market.
  • The quantitative analysis of the music distribution service market from 2020 to 2030 is provided to determine the music distribution service market potential

MARKET SEGMENTS


By type

  • Artist-t-fan
  • Distributor to digital retailer

By deployment Mode

  • On-premise
  • Cloud

By end user

  • Independent music producers
  • Record companies

By REGION

  • North America
  • U.S.
  • Canada
  • Europe
  • UK
  • Germany
  • France
  • Italy
  • Spain
  • Netherlands
  • Rest of Europe
  • Asia-Pacific
  • China
  • India
  • Japan
  • South-Korea
  • Australia
  • Rest of Asia-Pacific
  • LAMEA
  • Latin America
  • Middle East
  • Africa

KEY MARKET PLAYERS PROFILED IN THE REPORT OF MUSIC DISTRIBUTION SERVICE MARKET

  • Amuse
  • Ditto Music
  • Horus Music
  • Kobalt Corp
  • LANDR Audio
  • RouteNote Inc
  • The Orchard (Sony)
  • Spotify
  • Symphonic Distribution
  • Tunecore

Table of Contents

CHAPTER 1: INTRODUCTION
1.1. Report description
1.2. Key benefits for stakeholders
1.3. Key market segments
1.4. Research methodology
1.4.1. Secondary research
1.4.2. Primary research
1.4.3. Analyst tools & models
CHAPTER 2: EXECUTIVE SUMMARY
2.1. Key findings
2.1.1. Top impacting factors
2.1.2. Top investment pockets
2.2. CXO perspective
CHAPTER 3: MARKET OVERVIEW
3.1. Market definition and scope
3.2. Porter's five forces analysis
3.3. Impact of government regulations on global music distribution service market
3.4. Market dynamics
3.4.1. Drivers
3.4.1.1. Rise in number of active music listener around the globe
3.4.1.2. Increase in interest international and different varieties of music
3.4.2. Restraint
3.4.2.1. Increase in risk of data leakage and music piracy concerns in online music distribution
3.4.3. Opportunities
3.4.3.1. Integration of virtual reality in the music distribution platform
3.1. COVID-19 impact analysis
3.1.1. Impact on market size
3.1.2. Consumer trends, preferences, and budget impact
3.1.3. Economic impact
3.1.4. Key player strategies to tackle negative impact
3.1.5. Opportunity window
CHAPTER 4: MUSIC DISTRIBUTION SERVICE MARKET, BY TYPE
4.1. Overview
4.2. Artist-to-fan
4.2.1. Key market trends, growth factors, and opportunities
4.2.2. Market size and forecast, by region
4.2.3. Market analysis, by country
4.3. Distributor-to-digital retailers
4.3.1. Key market trends, growth factors, and opportunities
4.3.2. Market size and forecast, by region
4.3.3. Market analysis, by country
CHAPTER 5: MUSIC DISTRIBUTION SERVICE MARKET, BY DEPLOYMENT MODEL
5.1. Overview
5.2. On-premise
5.2.1. Key market trends, growth factors, and opportunities
5.2.2. Market size and forecast, by region
5.2.3. Market analysis, by country
5.3. Cloud
5.3.1. Key market trends, growth factors, and opportunities
5.3.2. Market size and forecast, by region
5.3.3. Market analysis, by country
CHAPTER 6: MUSIC DISTRIBUTION SERVICE MARKET, BY END USER
6.1. Overview
6.2. Independent music producers
6.2.1. Key market trends, growth factors, and opportunities
6.2.2. Market size and forecast, by region
6.2.3. Market analysis, by country
6.3. Record companies
6.3.1. Key market trends, growth factors, and opportunities
6.3.2. Market size and forecast, by region
6.3.3. Market analysis, by country
CHAPTER 7: MUSIC DISTRIBUTION SERVICE MARKET, BY REGION
7.1. Overview
7.2. North America
7.2.1. Key market trends, growth factors and opportunities
7.2.2. Market size and forecast, by Type
7.2.3. Market size and forecast, by deployment mode
7.2.4. Market size and forecast, by End User
7.2.5. Market analysis, by country
7.2.5.1. U.S.
7.2.5.1.1. Market size and forecast, by Type
7.2.5.1.2. Market size and forecast, by deployment mode
7.2.5.1.3. Market size and forecast, by End User
7.2.5.2. Canada.
7.2.5.2.1. Market size and forecast, by Type
7.2.5.2.2. Market size and forecast, by deployment mode
7.2.5.2.3. Market size and forecast, by End User
7.3. Europe
7.3.1. Key market trends, growth factors and opportunities
7.3.2. Market size and forecast, by Type
7.3.3. Market size and forecast, by deployment mode
7.3.4. Market size and forecast, by End User
7.3.5. Market analysis, by country
7.3.5.1. UK
7.3.5.1.1. Market size and forecast, by Type
7.3.5.1.2. Market size and forecast, by deployment mode
7.3.5.1.3. Market size and forecast, by End User
7.3.5.2. GERMANY
7.3.5.2.1. Market size and forecast, by Type
7.3.5.2.2. Market size and forecast, by deployment mode
7.3.5.2.3. Market size and forecast, by End User
7.3.5.3. FRANCE
7.3.5.3.1. Market size and forecast, by Type
7.3.5.3.2. Market size and forecast, by deployment mode
7.3.5.3.3. Market size and forecast, by End User
7.3.5.4. ITALY
7.3.5.4.1. Market size and forecast, by Type
7.3.5.4.2. Market size and forecast, by deployment mode
7.3.5.4.3. Market size and forecast, by End User
7.3.5.5. NETHERLANDS
7.3.5.5.1. Market size and forecast, by Type
7.3.5.5.2. Market size and forecast, by deployment mode
7.3.5.5.3. Market size and forecast, by End User
7.3.5.6. REST OF EUROPE
7.3.5.6.1. Market size and forecast, by Type
7.3.5.6.2. Market size and forecast, by deployment mode
7.3.5.6.3. Market size and forecast, by End User
7.4. Asia-Pacific
7.4.1. Key market trends, growth factors and opportunities
7.4.2. Market size and forecast, by Type
7.4.3. Market size and forecast, by deployment mode
7.4.4. Market size and forecast, by End User
7.4.5. Market analysis, by country
7.4.5.1. CHINA
7.4.5.1.1. Market size and forecast, by Type
7.4.5.1.2. Market size and forecast, by deployment mode
7.4.5.1.3. Market size and forecast, by End User
7.4.5.2. INDIA
7.4.5.2.1. Market size and forecast, by Type
7.4.5.2.2. Market size and forecast, by deployment mode
7.4.5.2.3. Market size and forecast, by End User
7.4.5.3. JAPAN
7.4.5.3.1. Market size and forecast, by Type
7.4.5.3.2. Market size and forecast, by deployment mode
7.4.5.3.3. Market size and forecast, by End User
7.4.5.4. AUSTRALIA
7.4.5.4.1. Market size and forecast, by Type
7.4.5.4.2. Market size and forecast, by deployment mode
7.4.5.4.3. Market size and forecast, by End User
7.4.5.5. SOUTH KOREA
7.4.5.5.1. Market size and forecast, by Type
7.4.5.5.2. Market size and forecast, by deployment mode
7.4.5.5.3. Market size and forecast, by End User
7.4.5.6. REST OF ASIA-PACIFIC
7.4.5.6.1. Market size and forecast, by Type
7.4.5.6.2. Market size and forecast, by deployment mode
7.4.5.6.3. Market size and forecast, by End User
7.5. LAMEA
7.5.1. Key market trends, growth factors and opportunities
7.5.2. Market size and forecast, by Type
7.5.3. Market size and forecast, by deployment mode
7.5.4. Market size and forecast, by End user
7.5.5. Market analysis, by country
7.5.5.1. LATIN AMERICA
7.5.5.1.1. Market size and forecast, by Type
7.5.5.1.2. Market size and forecast, by deployment mode
7.5.5.1.3. Market size and forecast, by End User
7.5.5.2. MIDDLE EAST
7.5.5.2.1. Market size and forecast, by Type
7.5.5.2.2. Market size and forecast, by deployment mode
7.5.5.2.3. Market size and forecast, by End User
7.5.5.3. AFRICA
7.5.5.3.1. Market size and forecast, by Type
7.5.5.3.2. Market size and forecast, by deployment mode
7.5.5.3.3. Market size and forecast, by End User
CHAPTER 8: COMPETITIVE LANDSCAPE
8.1. Key player positioning analysis, 2020
8.2. Top winning strategies
8.3. Competitive dashboard
CHAPTER 9: COMPANY PROFILE
9.1. Amuse
9.1.1. Company overview
9.1.2. Key executives
9.1.3. Company snapshot
9.1.4. Product portfolio
9.1.5. Key strategic moves and developments
9.2. Ditto Music
9.2.1. Company overview
9.2.2. Key executive
9.2.3. Company snapshot
9.2.4. Product portfolio
9.2.5. Key strategic moves and developments
9.3. Horus Music
9.3.1. Company overview
9.3.2. Key executives
9.3.3. Company snapshot
9.3.4. Product portfolio
9.3.5. Key strategic moves and developments
9.4. Kobalt Music Group
9.4.1. Company overview
9.4.2. Key executive
9.4.3. Company snapshot
9.4.4. Product portfolio
9.4.5. Key strategic moves and developments
9.5. LANDR Audio
9.5.1. Company overview
9.5.2. Key executives
9.5.3. Company snapshot
9.5.4. Product portfolio
9.5.5. Key strategic moves and developments
9.6. RouteNote Inc
9.6.1. Company overview
9.6.2. Key executives
9.6.3. Company snapshot
9.6.4. Product portfolio
9.6.5. Key strategic moves and developments
9.7. Loudr (Spotify)
9.7.1. Company overview
9.7.2. Key executives
9.7.3. Company snapshot
9.7.4. Product portfolio
9.7.5. R&D expenditure
9.7.6. Business performance
9.7.7. Key strategic moves and developments
9.8. Symphonic Distribution
9.8.1. Company overview
9.8.2. Key executive
9.8.3. Company snapshot
9.8.4. Product portfolio
9.8.5. Key strategic moves and developments
9.9. The Orchard (SONY)
9.9.1. Company overview
9.9.2. Key executives
9.9.3. Company snapshot
9.9.4. Operating business segments
9.9.5. Product portfolio
9.9.6. R&D expenditure
9.9.7. Business performance
9.9.8. Key strategic moves and developments
9.10. Tunecore
9.10.1. Company overview
9.10.2. Key executives
9.10.3. Company snapshot
9.10.4. Product portfolio
9.10.5. Key strategic moves and developments
List of Tables
TABLE 01. GLOBAL MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 02. MUSIC DISTRIBUTION SERVICE MARKET REVENUE FOR ARTIST-TO-FAN, BY REGION, 2020–2030 ($MILLION)
TABLE 03. MUSIC DISTRIBUTION SERVICE MARKET REVENUE FOR DISTRIBUTOR TO DIGITAL RETAILERS, BY REGION, 2020–2030 ($MILLION)
TABLE 04. GLOBAL MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020-2030 ($MILLION)
TABLE 05. ON-PREMISE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY REGION, 2020–2030 ($MILLION)
TABLE 06. MUSIC DISTRIBUTION SERVICE MARKET REVENUE FOR CLOUD BASED DEPLOYMENT, BY REGION, 2020–2030 ($MILLION)
TABLE 07. GLOBAL MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020-2030 ($MILLION)
TABLE 08. MUSIC DISTRIBUTION SERVICE MARKET REVENUE FOR INDEPENDENT MUSIC PROCEDURE , BY REGION, 2020–2030 ($MILLION)
TABLE 09. MUSIC DISTRIBUTION SERVICE MARKET REVENUE FOR RECORD COMPANIES, BY REGION, 2020–2030 ($MILLION)
TABLE 10. MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY REGION, 2020–2030 ($MILLION)
TABLE 11. NORTH AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 12. NORTH AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 13. NORTH AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 14. NORTH AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY COUNTRY, 2020–2030 ($MILLION)
TABLE 15. U.S. MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 16. U.S. MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 17. U.S. MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 18. CANADA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 19. CANADA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 20. CANADA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 21. EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 22. EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 23. EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 24. EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY COUNTRY, 2020–2030 ($MILLION)
TABLE 25. UK MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 26. UK MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 27. UK MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 28. GERMANY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 29. GERMANY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 30. GERMANY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 31. FRANCE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 32. FRANCE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 33. FRANCE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 34. ITALY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 35. ITALY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 36. ITALY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 37. NETHERLANDS MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 38. NETHERLANDS MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 39. NETHERLANDS MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 40. REST OF EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 41. REST OF EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 42. REST OF EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 43. ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 44. ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 45. ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 46. ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY COUNTRY, 2020–2030 ($MILLION)
TABLE 47. CHINA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 48. CHINA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 49. CHINA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 50. INDIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 51. INDIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 52. INDIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 53. JAPAN MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 54. JAPAN MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 55. JAPAN MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 56. AUSTRALIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 57. AUSTRALIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 58. AUSTRALIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 59. SOUTH KOREA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 60. SOUTH KOREA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 61. SOUTH KOREA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 62. REST OF ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 63. REST OF ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 64. REST OF ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 65. LAMEA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 66. LAMEA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 67. LAMEA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 68. LAMEA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY COUNTRY, 2020–2030 ($MILLION)
TABLE 69. LATIN AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 70. LATIN AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 71. LATIN AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 72. MIDDLE EAST MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 73. MIDDLE EAST MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 74. MIDDLE EAST MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 75. AFRICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030 ($MILLION)
TABLE 76. AFRICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
TABLE 77. AFRICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
TABLE 78. AMUSE: KEY EXECUTIVES
TABLE 79. AMUSE: COMPANY SNAPSHOT
TABLE 80. AMUSE: PRODUCT PORTFOLIO
TABLE 81. DITTO MUSIC: KEY EXECUTIVE
TABLE 82. AMAZON.COM, INC.: COMPANY SNAPSHOT
TABLE 83. DITTO MUSIC: PRODUCT PORTFOLIO
TABLE 84. HORUS MUSIC: KEY EXECUTIVES
TABLE 85. HORUS MUSIC: COMPANY SNAPSHOT
TABLE 86. HORUS MUSIC: PRODUCT PORTFOLIO
TABLE 87. KOBALT MUSIC GROUP: KEY EXECUTIVE
TABLE 88. KOBALT MUSIC GROUP: COMPANY SNAPSHOT
TABLE 89. KOBALT MUSIC GROUP: PRODUCT PORTFOLIO
TABLE 90. LANDR AUDIO: KEY EXECUTIVES
TABLE 91. LANDR AUDIO: COMPANY SNAPSHOT
TABLE 92. LANDR AUDIO: PRODUCT PORTFOLIO
TABLE 93. ROUTENOTE, INC.: KEY EXECUTIVES
TABLE 94. ROUTENOTE, INC.: COMPANY SNAPSHOT
TABLE 95. ROUTENOTE, INC.: PRODUCT PORTFOLIO
TABLE 96. SPOTIFY: KEY EXECUTIVES
TABLE 97. RAKUTEN, INC.: COMPANY SNAPSHOT
TABLE 98. SPOTIFY: PRODUCT PORTFOLIO
TABLE 99. SYMPHONIC DISTRIBUTION: KEY EXECUTIVE
TABLE 100. SYMPHONIC DISTRIBUTION: COMPANY SNAPSHOT
TABLE 101. SYMPHONIC DISTRIBUTION: PRODUCT PORTFOLIO
TABLE 102. SONY MUSIC: KEY EXECUTIVES
TABLE 103. SONY MUSIC: COMPANY SNAPSHOT
TABLE 104. SONY CORPORATION: OPERATING SEGMENTS
TABLE 105. SONY MUSIC: PRODUCT PORTFOLIO
TABLE 106. TUNECORE: KEY EXECUTIVES
TABLE 107. TUNECORE: COMPANY SNAPSHOT
TABLE 108. TUNECORE: PRODUCT PORTFOLIO
List of Figures
FIGURE 01. KEY MARKET SEGMENTS
FIGURE 02. GLOBAL MUSIC DISTRIBUTION SERVICE MARKET SNAPSHOT, BY SEGMENTATION, 2020–2030
FIGURE 03. MUSIC DISTRIBUTION SERVICE MARKET SNAPSHOT, BY REGION, 2020–2030
FIGURE 04. TOP IMPACTING FACTORS
FIGURE 05. TOP INVESTMENT POCKETS
FIGURE 06. MODERATE BARGAINING POWER OF SUPPLIERS
FIGURE 07. MODERATE-TO-HIGH BARGAINING POWER OF BUYERS
FIGURE 08. MODERATE-TO-HIGH THREAT OF SUBSTITUTES
FIGURE 09. MODERATE-TO-HIGHTHREAT OF NEW ENTRANTS
FIGURE 11. MODERATE COMPETITIVE RIVALRY
FIGURE 12. MARKET DYNAMICS
FIGURE 13. GLOBAL MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY TYPE, 2020–2030($MILLION)
FIGURE 14. COMPARATIVE SHARE ANALYSIS OF MUSIC DISTRIBUTION SERVICE MARKET FOR ARTIST-TO-FAN, BY COUNTRY, 2020 & 2030(%)
FIGURE 15. COMPARATIVE SHARE ANALYSIS OF MUSIC DISTRIBUTION SERVICE MARKET FOR DISTRIBUTOR TO DIGITAL RETAILERS, BY COUNTRY, 2020 & 2030(%)
FIGURE 16. GLOBAL MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY DEPLOYMENT MODE, 2020–2030 ($MILLION)
FIGURE 17. COMPARATIVE SHARE ANALYSIS OF ON-PREMISE MUSIC DISTRIBUTION SERVICE MARKET, BY COUNTRY, 2020 & 2030 (%)
FIGURE 18. COMPARATIVE SHARE ANALYSIS OF MUSIC DISTRIBUTION SERVICE MARKET FOR CLOUD DEPLOYMENT, BY COUNTRY, 2020 & 2030 (%)
FIGURE 19. GLOBAL MUSIC DISTRIBUTION SERVICE MARKET REVENUE, BY END USER, 2020–2030 ($MILLION)
FIGURE 20. COMPARATIVE SHARE ANALYSIS OF MUSIC DISTRIBUTION SERVICE MARKET FOR INDEPENDENT MUSIC PROCEDURE, BY COUNTRY, 2020 & 2030 (%)
FIGURE 21. COMPARATIVE SHARE ANALYSIS OF MUSIC DISTRIBUTION SERVICE MARKET FOR RECORD COMPANIES, BY COUNTRY, 2020 & 2030 (%)
FIGURE 22. U.S. MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 23. CANADA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 24. UK MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 25. GERMANY MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 26. FRANCE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 27. RUSSIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 28. NETHERLANDS MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 29. REST OF EUROPE MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 30. CHINA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 31. INDIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 32. JAPAN MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 33. AUSTRALIA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 34. SOUTH KOREA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 35. REST OF ASIA-PACIFIC MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 36. LATIN AMERICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 37. MIDDLE EAST MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 38. AFRICA MUSIC DISTRIBUTION SERVICE MARKET REVENUE, 2020–2030 ($MILLION)
FIGURE 39. KEY PLAYER POSITIONING ANALYSIS: GLOBAL MUSIC DISTRIBUTION SERVICE MARKET
FIGURE 40. TOP WINNING STRATEGIES, BY YEAR, 2018-2021
FIGURE 41. TOP WINNING STRATEGIES, BY DEVELOPMENT, 2018-2021
FIGURE 42. TOP WINNING STRATEGIES, BY COMPANY, 2018-2021
FIGURE 43. COMPETITIVE DASHBOARD
FIGURE 44. COMPETITIVE DASHBOARD
FIGURE 45. COMPETITIVE HEATMAP OF KEY PLAYERS
FIGURE 46. R&D EXPENDITURE, 2018-2020 ($MILLION)
FIGURE 47. SPOTIFY.: REVENUE, 2018–2020 ($MILLION)
FIGURE 48. SPOTIFY: REVENU.S.ARE, BY REGION, 2020 (%)
FIGURE 49. R&D EXPENDITURE, 2018–2020 ($MILLION)
FIGURE 50. SONY CORPORATION: REVENUE, 2018–2020 ($MILLION)
FIGURE 51. SONY CORPORATION: REVENU.S.ARE, BY SEGMENT, 2020 (%)
FIGURE 52. SONY CORPORATION: REVENU.S.ARE BY REGION, 2020 (%)

Companies Mentioned

  • Amuse
  • Ditto Music
  • Horus Music
  • Kobalt Music Group
  • LANDR Audio
  • RouteNote Inc
  • Loudr (Spotify)
  • Symphonic Distribution
  • The Orchard (SONY)
  • Tunecor

Methodology

The analyst offers exhaustive research and analysis based on a wide variety of factual inputs, which largely include interviews with industry participants, reliable statistics, and regional intelligence. The in-house industry experts play an instrumental role in designing analytic tools and models, tailored to the requirements of a particular industry segment. The primary research efforts include reaching out participants through mail, tele-conversations, referrals, professional networks, and face-to-face interactions.

They are also in professional corporate relations with various companies that allow them greater flexibility for reaching out to industry participants and commentators for interviews and discussions.

They also refer to a broad array of industry sources for their secondary research, which typically include; however, not limited to:

  • Company SEC filings, annual reports, company websites, broker & financial reports, and investor presentations for competitive scenario and shape of the industry
  • Scientific and technical writings for product information and related preemptions
  • Regional government and statistical databases for macro analysis
  • Authentic news articles and other related releases for market evaluation
  • Internal and external proprietary databases, key market indicators, and relevant press releases for market estimates and forecast

Furthermore, the accuracy of the data will be analyzed and validated by conducting additional primaries with various industry experts and KOLs. They also provide robust post-sales support to clients.

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