The global media industry has undergone significant transformation due to digital technologies. Traditional media outlets have adapted to digital platforms, leading to the rise of online streaming services, digital publications, and social media as primary sources of content consumption. This shift has changed the way people access and interact with media.
The global television and film industry has experienced steady growth over the years. In 2020, the global box office revenue reached approximately $32 billion. The popularity of streaming services has also contributed to the industry's growth, with global over-the-top (OTT) video revenue projected to surpass $230 billion in 2021.
When you look at the staggering figures of global box office revenue, there has been an immense growth trajectory over the years, with occasional fluctuations due to factors like the COVID-19 pandemic. In 2019, global box office revenue reached a record high of approximately $42.5 billion. However, in 2020, the revenue declined significantly due to widespread cinema closures and disruptions, amounting to around $12 billion. In 2020, the global revenue from subscription video on demand (SVOD) services reached approximately $49 billion. Major streaming platforms like Netflix, Amazon Prime Video, Disney+, and Hulu have experienced rapid growth and expanded their subscriber bases worldwide.
This report provides a comprehensive analysis of the global media industry, focusing on key markets, including broadcasting and cable TV, movies and entertainment, and publishing. The analysis includes industry definitions, overviews, market growth analysis, industry segmentation, and forecasts for each market.
The global media industry has experienced significant growth and transformation driven by digital technologies. Streaming services, digital publications, and social media platforms have become primary sources of content consumption. The report highlights the industry's overall growth, trends, and forecasts up to 2026.
A SWOT framework analysis evaluates the strengths, weaknesses, opportunities, and threats within the global media industry. This analysis helps identify areas for improvement, potential growth opportunities, and challenges to overcome.
The report also includes a Porter's Five Forces strategy analysis, assessing the competitive landscape of the global media industry. Factors such as the bargaining power of buyers and suppliers, competitive rivalry, and the threat of new entrants and substitutes are analyzed.
Key markets, including Brazil, Canada, China, France, Germany, India, Japan, Russia, South Korea, Turkey, the United Kingdom, and the United States, are individually analyzed in terms of industry overview, market growth analysis, industry segmentation, and industry forecasts for broadcasting and cable TV, movies and entertainment, and publishing.
Furthermore, the report, Global Media Industry - Forecast and Analysis 2023, also provides an in-depth analysis of major players within the global media industry, such as Amazon, Apple, BBC, Comcast Corporation, Netflix, The Walt Disney Company, Time Warner, and many others. This analysis offers insights into their market position, strategies, and contributions to the industry.
With over 300 tables and figures, this report Global Media Industry - Forecast and Analysis 2023 offers comprehensive data and insights, making it a valuable resource for industry professionals, investors, and stakeholders seeking a detailed understanding of the global media industry and its future prospects.
Table of Contents
A. Executive Summary
Section 1: Analysis of the Global Media Industry
A. Market Analysis - Global Media Industry
A.1 Industry Definition
A.2 Industry Overview
A.3 Market Growth Analysis
A.4 Industry Segmentation
A.5 Global Media Industry: Forecast
B. Global Media Industry: SWOT Framework Analysis
B.1 Strengths to Focus on
B.2 Weaknesses to Overcome
B.3 Opportunities to Exploit
B.4 Threats to Overcome
C. Global Media Industry: Porter’s Five Forces Strategy Analysis
C.1 Introduction
C.2 Bargaining Power of Buyers
C.3 Bargaining Power of Suppliers
C.4 Competitive Rivalry in the Industry
C.5 Threat of New Entrants
C.6 Threat of Substitutes
D. Global Media Industry - Key Markets (Each market is analyzed through an industry overview, market growth analysis, industry segmentation and an industry forecast)
D.1 Brazil
D.2 Canada
D.3 China
D.4 France
D.5 Germany
D.6 India
D.7 Japan
D.8 Russia
D.9 South Korea
D.10 United Kingdom
D.11 United States
Section 2: Analysis of the Global Broadcasting and Cable TV Industry
A. Market Analysis - Global Broadcasting and Cable TV Industry
A.1 Industry Definition
A.2 Industry Overview
A.3 Market Growth Analysis
A.4 Industry Segmentation
A.5 Global Broadcasting and Cable TV Industry: Forecast
B. Global Broadcasting and Cable TV Industry: SWOT Framework Analysis
B.1 Strengths to Focus on
B.2 Weaknesses to Overcome
B.3 Opportunities to Exploit
B.4 Threats to Overcome
C. Global Broadcasting and Cable TV Industry: Porter’s Five Forces Strategy Analysis
C.1 Introduction
C.2 Bargaining Power of Buyers
C.3 Bargaining Power of Suppliers
C.4 Competitive Rivalry in the Industry
C.5 Threat of New Entrants
C.6 Threat of Substitutes
D. Global Broadcasting and Cable TV Industry - Key Markets (Each market is analyzed through an industry overview, market growth analysis, industry segmentation and an industry forecast)
D.1 Canada
D.2 China
D.3 France
D.4 Germany
D.5 Japan
D.6 United Kingdom
D.7 United States
Section 3: Analysis of the Global Movies and Entertainment Industry
A. Market Analysis - Global Movies and Entertainment Industry
A.1 Industry Definition
A.2 Industry Overview
A.3 Market Growth Analysis
A.4 Industry Segmentation
A.5 Global Movies and Entertainment Industry: Forecast
B. Global Movies and Entertainment Industry: SWOT Framework Analysis
B.1 Strengths to Focus on
B.2 Weaknesses to Overcome
B.3 Opportunities to Exploit
B.4 Threats to Overcome
C. Global Movies and Entertainment Industry: Porter’s Five Forces Strategy Analysis
C.1 Introduction
C.2 Bargaining Power of Buyers
C.3 Bargaining Power of Suppliers
C.4 Competitive Rivalry in the Industry
C.5 Threat of New Entrants
C.6 Threat of Substitutes
D. Global Movies and Entertainment Industry - Key Markets (Each market is analyzed through an industry overview, market growth analysis, industry segmentation and an industry forecast)
D.1 Brazil
D.2 Canada
D.3 China
D.4 France
D.5 Germany
D.6 India
D.7 Japan
D.8 Russia
D.9 South Korea
D.10 Turkey
D.11 United Kingdom
D.12 United States
Section 4: Analysis of the Global Publishing Industry
A. Market Analysis - Global Publishing Industry
A.1 Industry Definition
A.2 Industry Overview
A.3 Market Growth Analysis
A.4 Industry Segmentation
A.5 Global Publishing Industry: Forecast
B. Global Publishing Industry: SWOT Framework Analysis
B.1 Strengths to Focus on
B.2 Weaknesses to Overcome
B.3 Opportunities to Exploit
B.4 Threats to Overcome
C. Global Publishing Industry: Porter’s Five Forces Strategy Analysis
C.1 Introduction
C.2 Bargaining Power of Buyers
C.3 Bargaining Power of Suppliers
C.4 Competitive Rivalry in the Industry
C.5 Threat of New Entrants
C.6 Threat of Substitutes
D. Global Publishing Industry - Key Markets (Each market is analyzed through an industry overview, market growth analysis, industry segmentation and an industry forecast)
D.1 Canada
D.2 China
D.3 France
D.4 Germany
D.5 Japan
D.6 United Kingdom
D.7 United States
Section 5: Analysis of the Major Players
A. Company Profiles
A.1 Amazon
A.2 Apple
A.3 Asahi Broadcasting Corporation
A.4 Avex Group Holdings Inc.
A.5 Axel Springer SE
A.6 Azbooka-Atticus Publishing Group
A.7 BCE Inc. (Bell Canada)
A.8 Bertelsmann SE & Co. KGaA
A.9 British Broadcasting Corporation
A.10 CBS
A.11 Channel Four Television Corporation
A.12 China Central Television
A.13 China Film Group Corporation
A.14 China Publishing Group
A.15 Comcast Corporation
A.16 Corus Entertainment Inc.
A.17 Dharma Productions
A.18 Doordarshan
A.19 Downtown Filmes
A.20 Eros International Media Limited
A.21 ESPN
A.22 Fox Corporation
A.23 Fuji Media Holdings, Inc.
A.24 Gannett Co., Inc.
A.25 Heyday Films
A.26 Hitotsubashi Group
A.27 Hunan TV & Broadcast
A.28 ITV Plc
A.29 Kodansha Ltd.
A.30 Korean Broadcasting System
A.31 Lagardere SCA
A.32 Lions Gate Entertainment Corporation
A.33 Nanfang Media Group
A.34 Netflix
A.35 New York Times
A.36 Nikkei Inc.
A.37 Nippon Television Holdings, Inc.
A.38 Oxford University Press
A.39 Paramount Global
A.40 Pearson Plc
A.41 People’s Daily
A.42 ProSiebenSat.1 Media SE
A.43 Reliance
A.44 Rogers Communications, Inc.
A.45 Shanghai Media Group
A.46 Sky Group
A.47 Sony Corporation
A.48 Sport1 Medien AG
A.49 TBS Holdings
A.50 Television Francaise 1 (TF1)
A.51 The Walt Disney Company
A.52 Thomson Reuters
A.53 Time Warner
A.54 Toho Co., Ltd.
A.55 TV Globo
A.56 Vivendi S.A.
A.57 Warner Bros. Discovery, Inc
A.58 Yash Raj Films
B. Research Methodology
C. Disclaimer
Companies Mentioned
- Amazon
- Apple
- Asahi Broadcasting Corporation
- Avex Group Holdings Inc.
- Axel Springer SE
- Azbooka-Atticus Publishing Group
- BCE Inc. (Bell Canada)
- Bertelsmann SE & Co. KGaA
- British Broadcasting Corporation
- CBS
- Channel Four Television Corporation
- China Central Television
- China Film Group Corporation
- China Publishing Group
- Comcast Corporation
- Corus Entertainment Inc.
- Dharma Productions
- Doordarshan
- Downtown Filmes
- Eros International Media Limited
- ESPN
- Fox Corporation
- Fuji Media Holdings, Inc.
- Gannett Co., Inc.
- Heyday Films
- Hitotsubashi Group
- Hunan TV & Broadcast
- ITV Plc
- Kodansha Ltd.
- Korean Broadcasting System
- Lagardere SCA
- Lions Gate Entertainment Corporation
- Nanfang Media Group
- Netflix
- New York Times
- Nikkei Inc.
- Nippon Television Holdings, Inc.
- Oxford University Press
- Paramount Global
- Pearson Plc
- People’s Daily
- ProSiebenSat.1 Media SE
- Reliance
- Rogers Communications, Inc.
- Shanghai Media Group
- Sky Group
- Sony Corporation
- Sport1 Medien AG
- TBS Holdings
- Television Francaise 1 (TF1)
- The Walt Disney Company
- Thomson Reuters
- Time Warner
- Toho Co., Ltd.
- TV Globo
- Vivendi S.A.
- Warner Bros. Discovery, Inc
- Yash Raj Films
