Middle East and Africa Music streaming Market Outlook, 2030

The music streaming industry in the Middle East and Africa (MEA) is experiencing a transformative phase, emerging as one of the most promising and fast-evolving regions in the global digital music economy. While traditionally underserved by the global music industry due to infrastructural and economic challenges, MEA is now leveraging mobile connectivity, youth-driven demand, and a deep cultural affinity for music to power a digital music revolution. With a population of over 1.7 billion people, most of whom are under 30, the region offers massive untapped potential.

The rapid adoption of smartphones, falling data costs, and the expansion of 4G and 5G networks are enabling millions to access streaming platforms, revolutionizing how music is consumed, shared, and monetized across countries that were once peripheral to the global industry. The region spans high-income Gulf Cooperation Council (GCC) countries like the UAE and Saudi Arabia, fast-growing African economies such as Nigeria and Kenya, and conflict-affected or infrastructure-challenged nations in North and Sub-Saharan Africa. This uneven development has led to a variety of streaming models, customized to meet local market needs.

In wealthier markets like the UAE, Qatar, and Saudi Arabia, global platforms such as Spotify, Apple Music, and YouTube Music have established strong footholds, buoyed by high smartphone penetration, strong internet infrastructure, and a consumer base with greater willingness to pay for subscriptions. In contrast, many African countries rely heavily on freemium or ad-supported models, driven by economic constraints but rich in user engagement. Youth and social media play a critical role in driving streaming trends in MEA. Platforms like TikTok, Instagram, and YouTube are not only discovery engines but also powerful tools for music promotion.

Viral dance challenges and trends often originate in African and Middle Eastern communities and have the potential to push local songs into global popularity. This synergy between short-form video content and music streaming is especially potent in MEA, where digital natives are creatively using mobile-first platforms to express identity and culture.

Recognizing this trend, music streaming companies are increasingly integrating social features, offering artist-fan interactions, in-app music videos, and local language interfaces to enhance user engagement and retention. Government and policy support in MEA countries is beginning to play a larger role in supporting the digital music ecosystem. Saudi Arabia’s Vision 2030, for instance, includes significant investments in arts and entertainment, opening up new opportunities for live music, digital content, and international collaborations.

According to the research report “Middle East & Africa Music Streaming Market Outlook, 2030” the market is projected to add USD 3.04 Billion from 2025 to 2030. Local and regional platforms also play a crucial role in shaping the music streaming landscape. Anghami, founded in Lebanon, has grown into the dominant player in the Middle East, offering Arabic-language content and exclusive regional partnerships that global services often lack. It was the first Arab tech company to list on the NASDAQ, symbolizing the region's rising digital influence. Similarly, Boomplay, based in Nigeria, has become a household name in Sub-Saharan Africa.

With a focus on African content, offline playback, and data-efficient streaming, Boomplay caters to the specific needs of African users. Other homegrown platforms such as Mdundo in East Africa and Spinlet in Nigeria emphasize hyper-local engagement and serve as important distribution tools for independent artists who are often excluded from traditional media channels.

The cultural fabric of the MEA region is deeply intertwined with music, from centuries-old oral traditions and indigenous instruments to contemporary genres like Arabic pop, Afrobeat, hip hop, rai, amapiano, and gospel. Streaming has allowed these genres to thrive digitally, enabling artists to bypass traditional gatekeepers and connect directly with audiences across borders.

Nigerian Afrobeats artists like Burna Boy, Wizkid, and Tems have achieved global recognition, in part due to their dominance on streaming platforms and viral presence on social media. In the Middle East, artists such as Amr Diab, Nancy Ajram, and newer independent voices have found global diaspora followings. Streaming services are also investing in curated playlists and algorithms that promote local music, helping to preserve cultural heritage while enabling modern reinterpretations. However, monetization remains a significant hurdle in the MEA streaming industry. In many African nations, users have limited disposable income and access to formal banking systems, which makes subscription-based models difficult to scale.

Credit card ownership is low, and digital payment infrastructure is still evolving. As a result, partnerships with mobile operators have become essential. Telco bundles, prepaid plans, and mobile money solutions are widely used to distribute streaming services and enable payment. For example, Boomplay’s partnerships with MTN and Airtel in Africa allow users to access music packages through mobile billing, bypassing the need for credit cards. These collaborations not only expand reach but also help platforms develop more sustainable business models in emerging markets.

Advertising-based revenue is growing in importance, but it is still underdeveloped compared to Western markets. Brands are beginning to recognize the power of audio and music content to connect with young consumers, particularly in urban centers. Branded playlists, influencer campaigns, and local music festivals are becoming part of the monetization mix.

Market Drivers

• Mobile-First Digital Ecosystems: In MEA, mobile phones serve as the primary gateway to the internet for millions of users. This mobile-first behavior aligns perfectly with streaming apps, especially those optimized for low data usage. As 3G and 4G penetration continues to improve, mobile music consumption is projected to skyrocket.
• Cultural and Religious Shifts Embracing Digital Entertainment: In parts of the Middle East, cultural liberalization such as Saudi Arabia’s Vision 2030 is encouraging the growth of digital entertainment sectors, including music. Simultaneously, in sub-Saharan Africa, a new generation of artists and listeners is engaging with both global and regional music on digital platforms.

Market Challenges

• Piracy and Lack of Copyright Enforcement: Piracy remains rampant in many countries within MEA due to weak legal frameworks and limited enforcement capacity. As a result, illegal downloads and unauthorized sharing continue to undermine revenue generation for artists and platforms alike.
• Infrastructure and Connectivity Gaps: Many regions in Africa still face major challenges with reliable electricity, internet access, and data affordability. This severely restricts the scalability of streaming services outside major urban centers.

Market Trends

• Investment in Local and Arabic Music: Regional platforms like Anghami and Boomplay are investing in local artist development, Arabic-language content, and curated playlists based on regional tastes. These efforts are critical for engaging culturally diverse audiences and competing with global players.
• Rise of Homegrown Streaming Platforms: Indigenous platforms have emerged to serve local needs more effectively. Boomplay, headquartered in Nigeria, and Anghami, based in the UAE, are gaining substantial user bases through a mix of local content, telecom partnerships, and offline-friendly features.

On-demand streaming thrives in the Middle East & Africa due to a young, mobile-first population that prefers flexible, internet-based access to diverse and culturally relevant music.

In the Middle East and Africa (MEA), on-demand music streaming has emerged as the leading format largely because of the region’s demographic profile and increasing smartphone usage. A significant portion of the population in MEA is under the age of 30, tech-savvy, and deeply connected to mobile internet. For many users, smartphones are their primary if not only digital device, making mobile-based, on-demand streaming the most logical and accessible format. Platforms such as Anghami, Spotify, Boomplay, and YouTube Music have effectively tapped into this mobile-first audience by offering localized content, freemium access, and social-sharing capabilities.

Moreover, there is a growing appetite for both global music and local genres, and on-demand services allow users to seamlessly navigate between Afrobeat, Arabic pop, global hip-hop, gospel, and more whenever they want. As traditional media outlets like radio and television often have limitations in variety and personalization, on-demand platforms fill a vital gap, offering users control over what they listen to, when, and how. Add to this the growing availability of affordable data plans and expanding 4G coverage, and it becomes clear why on-demand streaming resonates so strongly in MEA it’s flexible, culturally adaptive, and built around the real-time needs of a mobile and youthful population.

Audio is leading in the Middle East & Africa music streaming industry because it offers a low-bandwidth, mobile-friendly solution that aligns with local consumption habits and infrastructural constraints.

In the Middle East and Africa (MEA), audio streaming has risen to dominance largely due to its efficiency and compatibility with the region’s technological and socioeconomic landscape. Many parts of MEA still face challenges like inconsistent internet speeds, limited broadband infrastructure, and high data costs, making audio being far less data-intensive than video the preferred format for widespread adoption. Users in both urban and rural settings primarily access digital services via smartphones, and audio streaming platforms like Anghami, Boomplay, and Spotify have optimized their offerings for these devices with offline mode, low-data settings, and lightweight app versions.

Additionally, audio content is better suited to the multitasking lifestyle of many users, whether they're commuting in bustling cities, working in informal sectors, or navigating day-to-day tasks without the luxury of screen time. Culturally, music remains a deeply ingrained part of daily life across MEA, from Arabic pop and Rai to Afrobeats and gospel, and audio platforms provide vast libraries tailored to regional tastes in a cost-effective, accessible manner. As digital inclusion grows, audio continues to be the gateway format that bridges entertainment, culture, and convenience in a region still catching up on digital infrastructure yet hungry for personalized music experiences.

Subscription-based music streaming is leading in the Middle East & Africa due to the increasing availability of affordable mobile data bundles, telecom-driven partnerships, and a growing appetite for premium, localized music experiences.

In the Middle East and Africa (MEA), the rise of subscription-based music streaming is being driven by a unique convergence of mobile-first internet access, strategic telco partnerships, and a young, digitally engaged population. As broadband infrastructure expands and smartphones become more affordable, millions of users are entering the digital music ecosystem primarily via mobile devices. Music platforms such as Anghami, Boomplay, Spotify, and Deezer have recognized this shift and are capitalizing on it by partnering with regional telecom providers to offer bundled subscriptions that include free data usage or discounted rates.

These partnerships are especially effective in countries where direct payments via credit card remain limited, allowing users to pay for streaming through their mobile carrier bills instead. Subscriptions in MEA offer more than just ad-free listening they grant access to curated playlists, exclusive local and international content, and offline playback, which is crucial in regions where connectivity may still be inconsistent.

Furthermore, the region’s cultural richness and music diversity from Arabic pop and Maghreb Rai to Afrobeats, gospel, and Amharic hits have spurred platforms to invest in region-specific content to enhance subscriber appeal. As digital consumption becomes more sophisticated, MEA audiences are increasingly seeing value in premium experiences, making subscriptions the leading model in this evolving music streaming landscape.

Saudi Arabia is leading the Middle East & Africa music streaming industry due to its young, tech-savvy population, high smartphone penetration, and substantial government investment in digital entertainment under its Vision 2030 initiative.

Saudi Arabia has rapidly emerged as a leader in the Middle East & Africa music streaming industry, thanks to a combination of demographic vitality, technological readiness, and strategic national planning. The country’s population is predominantly young over 60% is under the age of 35 and this youthful demographic is highly engaged with digital platforms, particularly music streaming apps. With one of the highest smartphone penetration rates in the region and a growing appetite for on-demand content, consumers in Saudi Arabia are embracing streaming services like Anghami, Spotify, YouTube Music, and regional apps that offer localized content.

The Saudi government’s Vision 2030 reform agenda, which aims to diversify the economy and promote cultural openness, has played a pivotal role in shaping the media and entertainment ecosystem. Through major investments in music festivals, live entertainment, and partnerships with global streaming companies, the country is actively fostering a modern music culture that integrates local and international trends.

Additionally, improvements in digital infrastructure and increased mobile data affordability have made it easier for users across socio-economic groups to access streaming services. This unique blend of favorable demographics, digital literacy, cultural transformation, and policy support has positioned Saudi Arabia as a key player in driving the music streaming industry across the Middle East & Africa.

Considered in this report

• Historic Year: 2019
• Base year: 2024
• Estimated year: 2025
• Forecast year: 2030

Aspects covered in this report

• Music Streaming Market with its value and forecast along with its segments
• Various drivers and challenges
• On-going trends and developments
• Top profiled companies
• Strategic recommendation

By Service

• On-demand Streaming
• Live Streaming

By Content Type

• Audio
• Video

By Revenue Channels

• Subscription
• Non-Subscription

The approach of the report:

This report consists of a combined approach of primary as well as secondary research. Initially, secondary research was used to get an understanding of the market and listing out the companies that are present in the market. The secondary research consists of third-party sources such as press releases, annual report of companies, analyzing the government generated reports and databases.

After gathering the data from secondary sources primary research was conducted by making telephonic interviews with the leading players about how the market is functioning and then conducted trade calls with dealers and distributors of the market. Post this we have started doing primary calls to consumers by equally segmenting consumers in regional aspects, tier aspects, age group, and gender. Once we have primary data with us we have started verifying the details obtained from secondary sources.

Intended audience

This report can be useful to industry consultants, manufacturers, suppliers, associations & organizations related to this industry, government bodies and other stakeholders to align their market-centric strategies. In addition to marketing & presentations, it will also increase competitive knowledge about the industry.