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Musical Groups and Artists - Global Strategic Business Report

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    Report

  • 381 Pages
  • July 2025
  • Region: Global
  • Global Industry Analysts, Inc
  • ID: 6110846
The global market for Musical Groups and Artists was valued at US$29.4 Billion in 2024 and is projected to reach US$44.4 Billion by 2030, growing at a CAGR of 7.1% from 2024 to 2030. This comprehensive report provides an in-depth analysis of market trends, drivers, and forecasts, helping you make informed business decisions. The report includes the most recent global tariff developments and how they impact the Musical Groups and Artists market.

Global Musical Groups And Artists Market - Key Trends & Drivers Summarized

Why Are Musical Groups and Artists Adopting Business-Centric Models?

Musical groups and solo artists are undergoing a profound transformation from purely creative entities into multifaceted commercial brands. The digitization of music consumption, disintermediation of traditional record labels, and proliferation of direct-to-fan channels have altered the economics of the music industry. Artists are increasingly managing their careers as entrepreneurial ventures-balancing content creation, brand partnerships, merchandising, and touring schedules.

The rise of social media platforms like Instagram, TikTok, YouTube, and Twitch has enabled artists to build large followings, engage audiences directly, and release content on their own terms. Fan engagement has evolved beyond passive listening to interactive experiences such as livestream concerts, backstage Q&A sessions, and virtual meet-and-greets. Artists now deploy a multi-platform content strategy that includes short-form videos, behind-the-scenes footage, educational series, and lifestyle vlogs-shaping their brand narratives in real time.

In response to industry disruption, many groups and solo performers are opting for independent releases via aggregators such as TuneCore, DistroKid, and CD Baby, which offer higher revenue share and control over IP rights. Simultaneously, major labels are adapting by offering artist services, flexible contracts, and 360-degree deals that integrate streaming, publishing, merchandise, and touring under one umbrella.

How Are Artists Leveraging Technology to Build Careers and Monetize Creativity?

Technology is playing a pivotal role in enabling artists to create, distribute, and monetize their work. Home studio setups equipped with digital audio workstations (DAWs), virtual instruments, and real-time mixing tools have democratized music production. AI-assisted mastering services and beat generators are helping artists produce professional-grade tracks without needing expensive equipment or studio time. NFTs, blockchain smart contracts, and digital collectibles are emerging as new channels for fan-driven monetization, especially in hip-hop, EDM, and indie rock circles.

Crowdfunding platforms like Patreon and Kickstarter, along with membership-based models, are offering artists recurring income and a direct financial relationship with superfans. Live-streaming tools allow artists to perform remotely, sell tickets, and accept tips-extending their reach beyond geographical limitations. Data analytics dashboards from Spotify for Artists, YouTube Studio, and Bandcamp provide performance metrics, listener demographics, and revenue insights that help musicians tailor their release strategies.

Artists are also leveraging AI tools for lyric generation, beat recommendation, and real-time collaboration with remote producers. Mobile-first music creation apps like Splice, BandLab, and Soundtrap are allowing artists to compose, edit, and publish tracks from anywhere, empowering both emerging and established musicians to maintain creative momentum on the go.

Which Genres, Markets, and Platforms Are Defining the Trajectory of Artists and Bands?

The global appetite for diverse genres-from K-pop and Afrobeats to regional Latin, indie folk, and bedroom pop-has expanded the scope of musical groups and solo acts. While pop, hip-hop, and electronic remain dominant in streaming, the virality-driven nature of social platforms has enabled niche genres to find dedicated global audiences. Cross-cultural collaborations and language diversity are reshaping mainstream trends, as seen in the growing prominence of multilingual tracks on global charts.

Geographically, artists from South Korea, Nigeria, India, and Latin America are rising to global stardom through digital-first discovery. Platforms such as YouTube Shorts, TikTok, and Reels play a crucial role in the breakout success of unsigned or indie acts. Meanwhile, live performance remains a key income source for artists, especially in post-pandemic recovery. Stadium tours, music festivals, and hybrid concerts (virtual + in-person) are returning with renewed commercial vigor.

Major artist development hubs-Los Angeles, London, Seoul, Lagos, and Berlin-continue to anchor the creative and commercial operations of global acts. At the same time, the artist diaspora and remote collaboration tools are decentralizing music creation, enabling pan-continental production networks. Synchronization opportunities in gaming, film, and advertising are also giving artists revenue avenues beyond streaming and ticketing.

What Is Fueling Growth in the Global Musical Groups and Artists Market?

The growth in the global musical groups and artists market is driven by several factors, including the disintegration of legacy music business models, the rise of streaming platforms, and the empowerment of artists through direct-to-fan channels. The creator economy is enabling musicians to build sustainable careers with diversified income streams-merchandise, sync licensing, branded content, fan subscriptions, and NFTs-beyond traditional royalties.

Technology is enabling artists to produce high-quality music with limited resources, distribute globally with the click of a button, and analyze real-time performance data to inform decisions. The rise of music social platforms and digital fan communities is fueling artist discovery, loyalty, and monetization at scale. Meanwhile, investment funds, music rights acquisitions, and venture capital in the artist economy are professionalizing independent careers and transforming artists into asset classes.

Live events and experiential music formats are bouncing back post-COVID, giving performers renewed momentum in fan engagement. Brands are increasingly partnering with musicians for co-branded campaigns, expanding the revenue base and cultural influence of artists. As boundaries between artist, influencer, and entrepreneur continue to blur, the market for musical groups and solo performers is poised to become even more expansive, dynamic, and commercially robust in the years ahead.

Scope of the Report

The report analyzes the Musical Groups and Artists market, presented in terms of market value (USD). The analysis covers the key segments and geographic regions outlined below:
  • Segments: Type (Music Festivals, Music Concerts, Music Shows, Other Types); Genre (Rock Genre, Pop Genre, EDM Genre, Other Genres); Revenue Source (Tickets Revenue, Sponsorship Revenue, Other Revenue Sources).
  • Geographic Regions/Countries: World; United States; Canada; Japan; China; Europe (France; Germany; Italy; United Kingdom; Spain; Russia; and Rest of Europe); Asia-Pacific (Australia; India; South Korea; and Rest of Asia-Pacific); Latin America (Argentina; Brazil; Mexico; and Rest of Latin America); Middle East (Iran; Israel; Saudi Arabia; United Arab Emirates; and Rest of Middle East); and Africa.

Key Insights:

  • Market Growth: Understand the significant growth trajectory of the Music Festivals segment, which is expected to reach US$21.0 Billion by 2030 with a CAGR of a 7.5%. The Music Concerts segment is also set to grow at 7.8% CAGR over the analysis period.
  • Regional Analysis: Gain insights into the U.S. market, valued at $8.0 Billion in 2024, and China, forecasted to grow at an impressive 11.2% CAGR to reach $9.3 Billion by 2030. Discover growth trends in other key regions, including Japan, Canada, Germany, and the Asia-Pacific.

Why You Should Buy This Report:

  • Detailed Market Analysis: Access a thorough analysis of the Global Musical Groups and Artists Market, covering all major geographic regions and market segments.
  • Competitive Insights: Get an overview of the competitive landscape, including the market presence of major players across different geographies.
  • Future Trends and Drivers: Understand the key trends and drivers shaping the future of the Global Musical Groups and Artists Market.
  • Actionable Insights: Benefit from actionable insights that can help you identify new revenue opportunities and make strategic business decisions.

Key Questions Answered:

  • How is the Global Musical Groups and Artists Market expected to evolve by 2030?
  • What are the main drivers and restraints affecting the market?
  • Which market segments will grow the most over the forecast period?
  • How will market shares for different regions and segments change by 2030?
  • Who are the leading players in the market, and what are their prospects?

Report Features:

  • Comprehensive Market Data: Independent analysis of annual sales and market forecasts in US$ Million from 2024 to 2030.
  • In-Depth Regional Analysis: Detailed insights into key markets, including the U.S., China, Japan, Canada, Europe, Asia-Pacific, Latin America, Middle East, and Africa.
  • Company Profiles: Coverage of players such as AC/DC, Arctic Monkeys, Beyoncé, BLACKPINK, BTS and more.
  • Complimentary Updates: Receive free report updates for one year to keep you informed of the latest market developments.

Some of the 42 companies featured in this Musical Groups and Artists market report include:

  • AC/DC
  • Arctic Monkeys
  • Beyoncé
  • BLACKPINK
  • BTS
  • Coldplay
  • Daddy Yankee
  • Dua Lipa
  • Ed Sheeran
  • Imagine Dragons
  • Justin Bieber
  • Lady Gaga
  • Linkin Park
  • Madonna
  • Metallica
  • Rammstein
  • Red Hot Chili Peppers
  • Rihanna
  • Shakira
  • The Rolling Stones

This edition integrates the latest global trade and economic shifts into comprehensive market analysis. Key updates include:

  • Tariff and Trade Impact: Insights into global tariff negotiations across 180+ countries, with analysis of supply chain turbulence, sourcing disruptions, and geographic realignment. Special focus on 2025 as a pivotal year for trade tensions, including updated perspectives on the Trump-era tariffs.
  • Adjusted Forecasts and Analytics: Revised global and regional market forecasts through 2030, incorporating tariff effects, economic uncertainty, and structural changes in globalization. Includes historical analysis from 2015 to 2023.
  • Strategic Market Dynamics: Evaluation of revised market prospects, regional outlooks, and key economic indicators such as population and urbanization trends.
  • Innovation & Technology Trends: Latest developments in product and process innovation, emerging technologies, and key industry drivers shaping the competitive landscape.
  • Competitive Intelligence: Updated global market share estimates for 2025 (E), competitive positioning of major players (Strong/Active/Niche/Trivial), and refined focus on leading global brands and core players.
  • Expert Insight & Commentary: Strategic analysis from economists, trade experts, and domain specialists to contextualize market shifts and identify emerging opportunities.

Table of Contents

I. METHODOLOGYII. EXECUTIVE SUMMARY
1. MARKET OVERVIEW
  • Influencer Market Insights
  • World Market Trajectories
  • Tariff Impact on Global Supply Chain Patterns
  • Musical Groups and Artists - Global Key Competitors Percentage Market Share in 2025 (E)
  • Competitive Market Presence - Strong/Active/Niche/Trivial for Players Worldwide in 2025 (E)
2. FOCUS ON SELECT PLAYERS
3. MARKET TRENDS & DRIVERS
  • Social Media Virality Throws the Spotlight on Breakthroughs Among Independent Musical Groups
  • Growth in Music Streaming Revenues Strengthens Business Case for Artist-Led Content Ownership
  • Direct-to-Fan Platforms Propel Revenue Opportunities for Emerging Musical Acts
  • NFTs and Web3 Integration Generate Novel Monetization Channels for Musical Artists
  • Surge in Livestream Concert Viewership Spurs Digital-First Engagement Models for Bands
  • Collaboration With Gaming Platforms Expands Reach of Virtual Concerts for Music Groups
  • Rise in Artist-Owned Labels Drives Creative Control and Market Differentiation for Music Groups
  • Growth of Cross-Cultural Collaborations Expands Global Visibility for Regional Musical Acts
  • Expansion of Brand Partnerships With Music Groups Enhances Commercial Revenue Streams
  • Fan Engagement Technologies Like AR/VR Propel Immersive Musical Experiences
  • Sponsorships and Licensing Deals Drive Music Group Visibility Across Media Formats
  • Shift to Independent Distribution Channels Strengthens Margins for Musical Artists
  • Growth in Merchandising and Fan Tokenization Models Drives Supplemental Income for Bands
  • Use of Analytics to Optimize Tour Planning Enhances ROI for Musical Artists
  • Integration of AI Tools in Music Composition Spurs Genre Fusion and Experimental Sounds
  • Engagement in Mental Health Support Programs Reflects Changing Industry Norms for Artists
  • Fan-Driven Crowdfunding Models Generate Pre-Launch Buzz and Financing for New Albums
  • Collaborations With Influencers Elevate New Musical Group Exposure on Social Platforms
  • Rise in Mini-Tour Formats Supports Scalable Revenue Models for Emerging Music Groups
  • Shift Toward Subscription-Based Fan Communities Expands Artist Revenue Resilience
4. GLOBAL MARKET PERSPECTIVE
  • Table 1: World Musical Groups and Artists Market Analysis of Annual Sales in US$ Million for Years 2014 through 2030
  • Table 2: World Recent Past, Current & Future Analysis for Musical Groups and Artists by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 3: World Historic Review for Musical Groups and Artists by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 4: World 16-Year Perspective for Musical Groups and Artists by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets for Years 2014, 2025 & 2030
  • Table 5: World Recent Past, Current & Future Analysis for Music Festivals by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 6: World Historic Review for Music Festivals by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 7: World 16-Year Perspective for Music Festivals by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
  • Table 8: World Recent Past, Current & Future Analysis for Music Concerts by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 9: World Historic Review for Music Concerts by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 10: World 16-Year Perspective for Music Concerts by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
  • Table 11: World Recent Past, Current & Future Analysis for Music Shows by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 12: World Historic Review for Music Shows by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 13: World 16-Year Perspective for Music Shows by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
  • Table 14: World Recent Past, Current & Future Analysis for Other Types by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 15: World Historic Review for Other Types by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 16: World 16-Year Perspective for Other Types by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
  • Table 17: World Recent Past, Current & Future Analysis for Sponsorship Revenue by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 18: World Historic Review for Sponsorship Revenue by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 19: World 16-Year Perspective for Sponsorship Revenue by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
  • Table 20: World Recent Past, Current & Future Analysis for Other Revenue Sources by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 21: World Historic Review for Other Revenue Sources by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 22: World 16-Year Perspective for Other Revenue Sources by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
  • Table 23: World Recent Past, Current & Future Analysis for Tickets Revenue by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 24: World Historic Review for Tickets Revenue by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 25: World 16-Year Perspective for Tickets Revenue by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
  • Table 26: World Recent Past, Current & Future Analysis for Rock Genre by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 27: World Historic Review for Rock Genre by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 28: World 16-Year Perspective for Rock Genre by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
  • Table 29: World Recent Past, Current & Future Analysis for Pop Genre by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 30: World Historic Review for Pop Genre by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 31: World 16-Year Perspective for Pop Genre by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
  • Table 32: World Recent Past, Current & Future Analysis for EDM Genre by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 33: World Historic Review for EDM Genre by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 34: World 16-Year Perspective for EDM Genre by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
  • Table 35: World Recent Past, Current & Future Analysis for Other Genres by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2024 through 2030 and % CAGR
  • Table 36: World Historic Review for Other Genres by Geographic Region - USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa Markets - Independent Analysis of Annual Sales in US$ Million for Years 2014 through 2023 and % CAGR
  • Table 37: World 16-Year Perspective for Other Genres by Geographic Region - Percentage Breakdown of Value Sales for USA, Canada, Japan, China, Europe, Asia-Pacific, Latin America, Middle East and Africa for Years 2014, 2025 & 2030
III. MARKET ANALYSIS
UNITED STATES
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in the United States for 2025 (E)
CANADA
JAPAN
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in Japan for 2025 (E)
CHINA
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in China for 2025 (E)
EUROPE
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in Europe for 2025 (E)
FRANCE
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in France for 2025 (E)
GERMANY
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in Germany for 2025 (E)
ITALY
UNITED KINGDOM
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in the United Kingdom for 2025 (E)
SPAINRUSSIAREST OF EUROPE
ASIA-PACIFIC
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in Asia-Pacific for 2025 (E)
AUSTRALIA
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in Australia for 2025 (E)
INDIA
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in India for 2025 (E)
SOUTH KOREAREST OF ASIA-PACIFIC
LATIN AMERICA
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in Latin America for 2025 (E)
ARGENTINABRAZILMEXICOREST OF LATIN AMERICA
MIDDLE EAST
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in Middle East for 2025 (E)
IRANISRAELSAUDI ARABIAUNITED ARAB EMIRATESREST OF MIDDLE EAST
AFRICA
  • Musical Groups and Artists Market Presence - Strong/Active/Niche/Trivial - Key Competitors in Africa for 2025 (E)
IV. COMPETITION

Companies Mentioned (Partial List)

A selection of companies mentioned in this report includes, but is not limited to:

  • AC/DC
  • Arctic Monkeys
  • Beyoncé
  • BLACKPINK
  • BTS
  • Coldplay
  • Daddy Yankee
  • Dua Lipa
  • Ed Sheeran
  • Imagine Dragons
  • Justin Bieber
  • Lady Gaga
  • Linkin Park
  • Madonna
  • Metallica
  • Rammstein
  • Red Hot Chili Peppers
  • Rihanna
  • Shakira
  • The Rolling Stones

Table Information